FEINBERG/WHITMAN LITERARY FILE Prose "Walt Whitman in Camden" (Feb. 28, 1885). The Critic. Box 34 Folder 2 A.MS.draft. 1257 1885 Walt Whitman in Camden, by George Selwyn. A.MS. (1p. 11 1/2 19 1/2 cm.) Written in pencil on part of the inside of an opened-out discarded envelope, for Walt Whitman, By "Rocky Syrt [?] Ims., from Treasury Department, Office of Special Agent, Port of X X X, 93 words [on the walls There are] Hung or tacked on the walls are [the] pictures those [of] of his mother father and sister holding [plae] the places of honor, a [remarkable] portrait of a sweetheart of long ago, a large print of 'Osceola' the Seminole chief, (given [y] to Whitman many years since by Catlin the artist) some rare old engravings by [Stran] Strange and Mortimer. [and are tack hung or tacked on the walls On the floor Some Certain [?] ] heaps of books [on the floor] or sup [?] [in the corners Ol There are some] (This portion of a page of MS draft of 'Walt Whitman in Camden', by George Selwyn [WW], The Critic, 28 February 1885, is evidence of Whitman's authorship. This passage appears also in J.L. & J.B. Gilder, editors, Authors at Home (New York: Cassell & Company, Limited, 1888), p. 339. The article is reprinted on pp. 335-342.) Hung or tacked on the walls are [on the walls There are The] pictures, those of his mother father and sister holding [pla] the places of honor, a [remarkable] portrait of a sweetheart of long ago, a large print of 'Osceola' the Seminole chief, (given [of] to Whitman many years since by Catlin the artist) some rare, old engravings by [Stras] Strange and Mortimer, [and are last hung or tacked on on the floor some heaps of books on the floor or up the walls. All There are some in the corner] Treasury Department, Office of Special Agent. Port of x x x OFFICIAL BUSINESS. Any person using this envelope to avoid the payment of postage on private matter of any kind, will be subject to a fine of Three Hundred Dollars. For Walt By "Rocks" [????] [??s.] Transcribed and reviewed by contributors participating in the By The People project at crowd.loc.gov.