WEBVTT

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>> From the Library of
Congress in Washington, D.C.

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>> Catalina Gomez: I
wanted to welcome all

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of you today to today's event.

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This is our second Hispanic
Heritage Month Program for the year.

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We have a wonderful
listing of events

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for Hispanic Heritage Month
here at the Library of Congress.

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So I wanted to announce that we have
our complete calendar of events here

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in the entrance of our room.

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It's an honor for me to
introduce our featured speaker,

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who happens to be also
my compatriot, my friend,

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and an artist that I admire deeply.

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Juana Medina is an illustrator
and author of children's books,

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as well as a teacher at
George Washington University.

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She grew up in Bogata,
Columbia and studied

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at the Rhode Island
School of Design.

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Medina has -- was the first winner

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of the J. Kennedy Memorial
Scholarship, an award given yearly

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by the National Cartoonist Society

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to top college cartoonists
in North America.

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She is also the recipient of a
Marion Vannett Ridgeway Honor Award,

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and [inaudible] 100
Columbians, an honor granted

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to 100 successful Colombians
living abroad.

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Her books for children
include One Big Salad,

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A Delicious Counting Book, and
Smick, her latest picture book,

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and then Juana and
Lucas, who is actually --

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which is actually soon to
be published and we managed

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to bring some copies
here for the event,

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and it's published Candlewick Press.

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Juana and Lucas tells the story

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of a young girl's decision
to learn English.

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All of her books are on sale
here today at the event,

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and I'm also very excited to
announce that Juana Medina is one

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of our featured authors
this Saturday

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on our National Book Festival
in the convention center.

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So I encourage everyone to
go see her there as well.

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Her presentation, I
believe, is at two p.m.

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at the Children's Literature
Pavilion.

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Being an immigrant from Columbia
myself, and an aspiring artist,

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I am very, very eager to hear --

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to hear about this
wonderful person's journey.

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Please join me in welcoming
Juana Melina.

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[ Applause ]

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>> Juana Medina: Hello.

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Thank you very, Catalina, for
such a generous introduction.

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I really appreciate it.

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First, I want to say hello.

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It's absolutely wonderful
to be here.

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I really cannot believe it.

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Many years ago now when I first got
my reader ID here at the Library

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of Congress, I felt elated.

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At last I felt like I could take
part in coming to the Library

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and taking profit of
all the wonderful things

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that take place in this institution.

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Later on, a few years later while
working on Smick, I was contacted

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by Penguin asking to send my
information so that I could be part

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of a catalog, and I thought, great,
my work is now part of the catalog

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at the Library of Congress,
a tiny piece of me there.

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And so today I'm short of words to
say how exciting it is to be here.

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I'm very humbled and
very appreciative,

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thank you very much
for this invitation.

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Besides saying yes to this,
because of course how could I pass

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on this opportunity, then I
realized, okay, what do I do?

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What do I talk about?

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It wasn't just that simple.

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And then after thinking about it

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for a while I thought,
okay, I think I got it.

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I want to share what it's been
like to be in this journey.

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I hope not to put you
sleep by doing this.

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I promise I'll keep it brief and
hopefully entertaining enough.

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I hope it will be inspiring, whether
you are an artist, or an immigrant,

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or Latino or Latina,
or queer, or a woman,

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or simply a human being
here present for this talk.

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I hope there's something
here for you.

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I grew up in Bogota, Colombia,
as Catalina was saying.

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And here I am with my
grandfather as a teeny tiny baby.

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The Andes in the back
of the picture.

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I was very, very lucky to
grow up very close to him.

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He was one of the first brain
surgeons to go back to Columbia

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after preparing here in the
U.S. There was such a need

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for brain surgeons at that
time that apparently when he --

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when the airplane landed there
was an ambulance waiting for him

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to perform the first surgery.

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That was the need for
surgeons at the time.

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He was a wonderful human
being, and a wonderful doctor.

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He was also somebody who spoiled
me like nobody else in life.

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My grandmother was also wonderfully
skilled and a fantastic human being.

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She was a wonderful carpenter,
and together they designed some

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of the first equipment to
perform surgeries in Columbia

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because there was no
equipment in order

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for my grandfather
to do the surgery.

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So it was a collective effort.

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They were both very creative.

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Here's my grandma in her studio.

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So that was perhaps
genetic, I got lucky.

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Their house was actually
magical, not just by my standards,

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but my family and my
friends and everybody

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around them would just come
oftentimes to their house

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and benefit from having a very
inspiring experience thanks

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to their creativity
and their generosity.

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My parents were basketball players
and they were wonderful athletes.

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I did not inherit that
gene [laughter].

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My mom at some point,
my atrocious career

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in basketball didn't last long,

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and at some point we had a very
serious talk about it being okay

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for me to quit the basketball team.

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So overall, it was a
very happy childhood

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and I felt incredibly lucky.

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My father died when I was about
seven months old in an accident.

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So I must say the strength
and courage

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from my mother has been something

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that has kept me going
for a very long time.

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I'm very lucky to have
her here today.

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So that's me with my mom.

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One of the hardest things
about growing up in Columbia,

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despite me saying I was
very lucky, was the war.

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This were the 1980's and
during the '80s the situation

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in Columbia was far from peaceful.

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It was incredibly,
incredibly hard for very many.

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We were, again, lucky to first
be comfortable to live in Bogota,

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which was a very extensive city
where people were a lot more

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at peace than out in
the countryside.

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Still, this doesn't mean we
were not touched by the war.

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I still remember, you know,
blasting bombs and, you know,

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people being kidnapped around us,
and situations that were quite dire.

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But in the grand scheme of
things we were quite lucky

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to not be touched directly
by the war.

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Bogota is a very diverse city, very
vibrant, very big, and it allowed

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for me to have tremendous
inspiration just by hearing stories

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from countless people,
who in a very generous

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and passionate way do share
stories, very Colombian style just

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by simply opening up
and saying hello.

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So we were very lucky.

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Besides that amazing environment

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where storytelling was very
much alive, I happened to grew

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up in a household that
was tremendously creative.

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These are my cousins.

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I'm standing with the red veil.

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I have no idea what we were playing.

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But, you know, it must've
been quite exciting.

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And we were encouraged to think that
way and to create things out of,

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you know, whatever we found
around, like a little piece of rag,

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and we played for hours and
we were very, very happy.

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The only thing I know for certain

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in this picture is
Filipe [assumed spelling],

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who's in the middle,
was an astronaut.

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That's -- that helmet --
that helmet says it all,

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and that was his preference.

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I also happened to be very
lucky to go to a school

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that valued arts tremendously,
and that was very,

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very helpful in my upbringing.

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It was a wonderful environment

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where everybody found
constant ways of expression.

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So art and creative expression
were from very early, just simply,

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you know, parts of my life.

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I didn't question it.

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I didn't think of it as art.

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I didn't think of it as, you
know, other than just expressing.

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And that changed as I
grew a little bit older

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and I started meeting people
that didn't grow up in

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such a fortunate household
and then they would say

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to me, well, I can't draw.

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And it's like, what do
you mean you can't draw?

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I'll give you my pen,
or you need paper,

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or how can we [inaudible] can draw,
but I couldn't really conceive

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that people could not draw.

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During the 1980's, the late 1980's
also, things changed a little bit

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and we were touched by the financial
crisis taking place in Columbia.

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And this was quite hard
because we had lived comfortably

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and we had had a safe life,

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and all of a sudden all
these conditions changed.

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So all of a sudden we
had close to nothing,

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or we were very uncomfortable
and it was a difficult situation.

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And from realizing that there
were very few resources,

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or they were quite limited,
thank goodness I grew

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up with a very creative
mother and I learned

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that having nothing could be
translated into making something.

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Everything was an opportunity to
make things and shift things around.

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That being creative ensured
that there was some sweetness

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in life no matter what, and a little
bit of humor took us a long way.

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By the year 2000 my
family ended up leaving

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and they came to the United States.

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I stayed behind studying
physical therapy.

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And talk about being creative,
this was during a financial crisis,

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working in very, very
poor hospitals,

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and that's where you see most
creativity really at work.

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I think we often think of
creatives as entrepreneurs

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or designers or craftsmen.

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Go to a hospital, go talk
to a physical therapist,

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to an occupational therapist, to a
nurse, especially in Latin America

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and you will see really
what creativity is at work,

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and not necessarily for any
special award or anything,

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but simply to improve
somebody's life.

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In the end, opportunities were
narrowing for me in Columbia,

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and what made most sense
was for me to leave.

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This was not an easy goodbye.

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I was leaving behind
my grandparents.

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And, for some reason, I knew
I wouldn't see them again.

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This was incredibly hard.

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That goodbye I still can sense
it in me 15 years later almost.

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And it wasn't easy, and
I don't think I have

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to go extensively about it.

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For those of you who might have been
immigrants you all remember this

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in some kind of way.

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Needless to say, I still remember
and miss those big mountains

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and miss the smells of fresh fruit
and fresh flowers everywhere,

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and Spanish being spoken loudly
everywhere, but life went on.

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I had in my pocket $220.

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Like many immigrants, many
had much less than that.

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And I also had my bags full of
books and very many expectations.

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I was lucky.

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I was lucky in many ways.

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One of them being I had my family
here, so they were receiving me

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as soon as I got off that plane.

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I was coming to a city that
I was already familiar with.

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I knew the language.

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I had been able to receive
wonderful education,

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and that made a huge
difference that I'm well aware.

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Not every immigrant gets those
possibilities right off an airplane,

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or right as they walk
past the frontier.

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But that doesn't take away
the amount of uncertainty

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when you're an immigrant.

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And it's hard, it's
very difficult to figure

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out how things will work
out, what is your role,

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what are you supposed
to do with your life?

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And that prompted questions for me.

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Who am I? What does it
mean to be an immigrant?

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Because all of a sudden there
so many labels imposed on me.

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Where are you from?

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When did you came?

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What are you doing here?

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Are you staying here for good?

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It's like, I don't
know, I have no idea.

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Back in Columbia my
identity was very clear.

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I knew who I was, what I wanted
to do, and here everything shifted

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and all I had was a blank slate.

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I felt very much like
one in a million.

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Nothing seemed to be the experience
that everybody was having.

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It seemed to be very
different and foreign to a lot

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of people, and that was difficult.

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All of a sudden also, I
realized there was a label

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that was imposed on me.

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I was brown.

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I had never been brown
in my life before.

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All of a sudden I was -- I would
enter a shop and I would be followed

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by the lady at the store, and
I would be stopped by police,

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and all these situations that,
again, I'm one of the lucky ones.

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But it just seems so foreign to me,

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and something I had
never encountered before.

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I was the other.

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And being the other is very scary.

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It's something that shuns us
away, that stops conversations,

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that encourages fear,
and we're leaving it --

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we're living at quite vividly right
now during this election season.

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While I was trying to figure out
what to do with my life I happened

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to see that there would be --

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that there was a class
going to Georgetown

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as a continued education class
that was offered and it was

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for drawing and painting critique.

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And so I joined this
class just as an effort

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to think things differently and I
happened to have the great fortune

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of meeting Bill Rock
[assumed spelling],

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who was the instructor
of this class.

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And we had wonderful conversations,
and he learned a little bit more

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about myself as I was
learning about art.

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I had never really
taken art seriously.

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As I was telling you, I
thought everybody could draw.

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And he finally said
to me, well listen,

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it seems like things
are not working.

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You need to change your visa.

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Why do you insist on
physical therapy?

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Why don't we make a bet and you
apply to art school and if you get

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in you start art --
going to art school.

16:14.220 --> 16:19.100 align:start
And I think I was despondent enough
to say, okay, I'll give it a try.

16:19.100 --> 16:26.230 align:start
And I applied to the Corcoran and
received a scholarship and I said,

16:26.230 --> 16:28.940 align:start
okay, I guess this is
the route I'll take.

16:28.940 --> 16:33.520 align:start
This had been after 2 1/2, almost
3 years, of being here in the U.S.

16:33.520 --> 16:37.430 align:start
So I started at the Corcoran
and I was incredibly happy

16:37.430 --> 16:41.990 align:start
to encounter a whole
lot of opportunities

16:41.990 --> 16:46.740 align:start
that I would've never
encountered otherwise.

16:46.740 --> 16:51.250 align:start
Also, it guaranteed a student
visa, which was a big relief.

16:51.250 --> 16:53.600 align:start
This would ensure that as
long as I was a student here

16:53.600 --> 16:56.500 align:start
in the U.S. I would be okay.

16:56.500 --> 17:03.130 align:start
But while I was there I realized
that the graphic design program,

17:03.130 --> 17:10.200 align:start
which is where I was, wasn't
necessarily what I had in mind.

17:10.200 --> 17:16.360 align:start
The program at the time
was very corporate driven.

17:16.360 --> 17:19.190 align:start
Things were done using
a lot of computers,

17:19.190 --> 17:23.900 align:start
and things were all about, you
know, production of annual reports

17:23.900 --> 17:28.090 align:start
and digital works, and I was like,
oh, I want something more tangible,

17:28.090 --> 17:32.690 align:start
and I want to get my hands dirty,
and I want to explore more.

17:32.690 --> 17:36.250 align:start
And while this was going through
my mind I happened to sign

17:36.250 --> 17:38.710 align:start
up for another drawing class,

17:38.710 --> 17:42.790 align:start
in this case with the wonderful
artist, Bill Christenberry.

17:42.790 --> 17:47.620 align:start
And Bill, in a very gentle
way, almost cornered me one day

17:47.620 --> 17:51.600 align:start
and he said, young lady, you
realize this is not a place for you.

17:51.600 --> 17:57.480 align:start
And he said, you -- if the world
was perfect where would you go?

17:57.480 --> 17:58.780 align:start
And I said to him, well,

17:58.780 --> 18:00.160 align:start
if the world was perfect
I would go to RISD.

18:00.160 --> 18:03.910 align:start
He said, well just apply, I'll
write a letter of recommendation,

18:03.910 --> 18:08.010 align:start
and then all of a sudden things
started working very easily.

18:08.010 --> 18:11.400 align:start
And the next semester
I ended up at RISD.

18:11.400 --> 18:15.960 align:start
It's not as easy as it
sounds, but just for sake --

18:15.960 --> 18:24.100 align:start
for sake of time, yeah, it was
-- it was still quite unexpected.

18:24.100 --> 18:28.100 align:start
RISD was like being back at my
grandmother's carpentry studio.

18:28.100 --> 18:32.820 align:start
It was just a shop that
extended throughout the city

18:32.820 --> 18:35.570 align:start
where everybody was eager
to learn something new,

18:35.570 --> 18:37.650 align:start
where everybody was
eager to explore,

18:37.650 --> 18:41.270 align:start
where everybody was passionate
and curious about the arts,

18:41.270 --> 18:44.450 align:start
and this offered a
wonderful platform for me

18:44.450 --> 18:49.460 align:start
to reinvent myself in some way.

18:49.460 --> 18:53.450 align:start
Also, at the time, and if
any of you have gone to RISD,

18:53.450 --> 18:58.030 align:start
there's a great amount of
self-portrait that you have to do.

18:58.030 --> 19:02.120 align:start
They insist on working on
self-portraits and family trees

19:02.120 --> 19:07.810 align:start
and exploring who you are,
and that was a lot for me

19:07.810 --> 19:11.880 align:start
to figure out at the time.

19:11.880 --> 19:17.170 align:start
To add to that, I lost
my grandparents.

19:17.170 --> 19:20.960 align:start
And they -- as I said
in the beginning,

19:20.960 --> 19:22.650 align:start
they were incredible human beings.

19:22.650 --> 19:26.320 align:start
They have -- had been great
support network for me,

19:26.320 --> 19:29.050 align:start
and losing them was incredibly hard.

19:29.050 --> 19:33.750 align:start
One of the hardest things
about losing them was something

19:33.750 --> 19:37.400 align:start
that some Latinos here
might have heard about,

19:37.400 --> 19:39.590 align:start
and it's what some call
[speaking foreign language],

19:39.590 --> 19:44.430 align:start
or the golden cage, which is
basically being in the U.S.,

19:44.430 --> 19:47.260 align:start
being able to take profit
of so many opportunities,

19:47.260 --> 19:51.900 align:start
and yet here we are
locked and stuck here.

19:51.900 --> 19:56.820 align:start
I could not leave the country
even though I was perfectly legal

19:56.820 --> 20:01.530 align:start
because I had asked for a
visa while being in the U.S.

20:01.530 --> 20:04.310 align:start
So the moment I left the
United States I would have

20:04.310 --> 20:06.730 align:start
to reapply for a visa.

20:06.730 --> 20:14.020 align:start
The chances for a mid-20's woman,
single, from Colombia, gay,

20:14.020 --> 20:16.440 align:start
who happened to have
her family in the U.S.

20:16.440 --> 20:19.950 align:start
to get a visa to come back in, nil.

20:19.950 --> 20:23.920 align:start
When the lawyer handed me that visa
he said, if you go to Columbia,

20:23.920 --> 20:27.110 align:start
or if you go out of the United
States, I will not represent you.

20:27.110 --> 20:31.300 align:start
So it was very clear for me
that I couldn't manage to get

20:31.300 --> 20:34.020 align:start
out and come back in again.

20:34.020 --> 20:38.210 align:start
This was one of the hardest
things I had to do, and it was one

20:38.210 --> 20:40.260 align:start
of the hardest decisions to make,

20:40.260 --> 20:47.870 align:start
just keeping a very somewhat cold
mind and letting my grandparents go

20:47.870 --> 20:53.370 align:start
without being there for
them in their last days.

20:53.370 --> 20:56.710 align:start
And all these questions between
self-portraits and family trees

20:56.710 --> 20:58.620 align:start
and all the things
that were going on,

20:58.620 --> 21:00.710 align:start
people started asking
me who are you?

21:00.710 --> 21:05.040 align:start
Because I was clearly not the
traditional New England student

21:05.040 --> 21:07.310 align:start
at the Rhode Island
School of Design.

21:07.310 --> 21:10.580 align:start
And that made me ask,
yeah, who am I?

21:10.580 --> 21:18.420 align:start
Who am I? And I started
thinking of self as an artist.

21:18.420 --> 21:20.690 align:start
And I started thinking of self.

21:20.690 --> 21:28.540 align:start
And the more I thought the more I
realized the only way to solve this

21:28.540 --> 21:33.140 align:start
or to find enlightenment in
some kind of way would be

21:33.140 --> 21:38.660 align:start
through exploration, because I
clearly didn't have the answers.

21:38.660 --> 21:42.960 align:start
So there was a lot of observation
and exploration through the means

21:42.960 --> 21:47.020 align:start
that were familiar to
me, and that was drawing.

21:47.020 --> 21:50.990 align:start
So I drew the things I missed about
Columbia, like fruits organized

21:50.990 --> 21:56.530 align:start
in the grocery store, or cars
beeping horns, or fountains,

21:56.530 --> 22:01.510 align:start
or coffee shops, and
[inaudible], bus brakes screeching,

22:01.510 --> 22:05.190 align:start
and the big windows, and the
sun hitting the mountains almost

22:05.190 --> 22:07.760 align:start
as if they could be split open.

22:07.760 --> 22:17.480 align:start
And this -- memories started
filling my journals and sketchbooks.

22:17.480 --> 22:23.540 align:start
Then I moved on try to see the world
from a different interpretation,

22:23.540 --> 22:26.550 align:start
and that would be through
Latin American literature.

22:26.550 --> 22:30.710 align:start
And perhaps in a crazy attempt
I decided to sign up for a class

22:30.710 --> 22:36.400 align:start
that was called Magical
Realism and South.

22:36.400 --> 22:39.460 align:start
So it was the first time
in my life I would attempt

22:39.460 --> 22:44.160 align:start
to read Garcia Marquez in
English surrounded by people

22:44.160 --> 22:48.970 align:start
who knew very little about him,
and to learn not just to reminisce

22:48.970 --> 22:52.860 align:start
and to capture the essence of
my culture from my perspective,

22:52.860 --> 22:55.420 align:start
but also how others
were perceiving it.

22:55.420 --> 22:58.850 align:start
I remember an architecture
student during class saying,

22:58.850 --> 23:00.260 align:start
well this book is ridiculous.

23:00.260 --> 23:03.110 align:start
I mean, they talk about
people licking the walls.

23:03.110 --> 23:04.410 align:start
Where would that happen?

23:04.410 --> 23:07.050 align:start
And I would think, yeah,
that happens in my country.

23:07.050 --> 23:10.900 align:start
People do lick the walls
because they have salt deficiency

23:10.900 --> 23:13.670 align:start
and there's cal on the wall
so they lick the walls.

23:13.670 --> 23:16.960 align:start
But it's the understanding of
a completely different world

23:16.960 --> 23:21.670 align:start
and trying to find a way to
bridge those differences.

23:21.670 --> 23:27.680 align:start
So I started looking around me and
collecting objects through visuals.

23:27.680 --> 23:30.390 align:start
Everything was an opportunity
to draw.

23:30.390 --> 23:33.970 align:start
So my socks, a hat,
a pen, a paper --

23:33.970 --> 23:37.420 align:start
a piece of paper, a
car that passed by,

23:37.420 --> 23:41.910 align:start
absolutely everything would
be recorded in drawing form.

23:41.910 --> 23:43.750 align:start
I sometimes wonder,
if somebody saw these

23:43.750 --> 23:46.720 align:start
without any explanation they would
think I'm the most OCD person

23:46.720 --> 23:48.020 align:start
in the world.

23:48.020 --> 23:50.200 align:start
It's absolutely nuts to see this.

23:50.200 --> 23:56.130 align:start
But at the same time, that was my
possibility of exploring things

23:56.130 --> 23:58.840 align:start
and observing objects
that were familiar

23:58.840 --> 24:01.440 align:start
and were foreign at the time.

24:01.440 --> 24:07.810 align:start
It was basically changing my entire
perspective on how to see the world,

24:07.810 --> 24:10.690 align:start
or at least an attempt on doing so.

24:10.690 --> 24:14.740 align:start
I tried to record the architecture
around me very different

24:14.740 --> 24:20.680 align:start
from the houses that I
grew up seeing in Colombia.

24:20.680 --> 24:22.250 align:start
These are roofs on
Benefit [phonetic] Street

24:22.250 --> 24:24.360 align:start
in Providence, Rhode Island.

24:24.360 --> 24:29.110 align:start
I started recording the
buildings that I walked past

24:29.110 --> 24:34.760 align:start
and then reinterpreting
them in my own way.

24:34.760 --> 24:36.360 align:start
I would also record my dreams.

24:36.360 --> 24:40.480 align:start
This was a dream of a
crazy, big turnip that --

24:40.480 --> 24:47.270 align:start
I was in a farmer's community and in
my dream they needed help to take it

24:47.270 --> 24:50.080 align:start
out of the earth because
it was so, so big,

24:50.080 --> 24:52.890 align:start
and I still remember
vividly the colors.

24:52.890 --> 24:55.280 align:start
I don't think I was able to --

24:55.280 --> 24:59.350 align:start
I can tell I wasn't able to portray
exactly what I saw in my dream,

24:59.350 --> 25:04.330 align:start
which was absolutely surreal,
but still, this was my attempt.

25:04.330 --> 25:06.220 align:start
So it all took practice.

25:06.220 --> 25:10.580 align:start
It took a lot of practice just
drawing, playing with humor.

25:10.580 --> 25:14.170 align:start
This is a sneeze.

25:14.170 --> 25:19.980 align:start
Doing more serious things
in the classroom and studio.

25:19.980 --> 25:25.180 align:start
Recording buildings, rerecording
them using different media

25:25.180 --> 25:29.110 align:start
and trying to explore
what this meant for me.

25:29.110 --> 25:31.530 align:start
What is the influence
of this over me?

25:31.530 --> 25:37.420 align:start
Or how can I possibly influence
it by drawing it somehow.

25:37.420 --> 25:41.510 align:start
Of course failure was also a great
part of this, and it's something

25:41.510 --> 25:46.770 align:start
that in the arts and being
creative there's no way to escape.

25:46.770 --> 25:51.480 align:start
But one thing was very clear, and
it was that drama should stay away

25:51.480 --> 25:52.950 align:start
from all these explorations.

25:52.950 --> 25:55.460 align:start
It was simply failing
and starting again

25:55.460 --> 25:58.440 align:start
but not letting myself
just lose my mind simply

25:58.440 --> 26:02.600 align:start
because I couldn't register
things how I intended to.

26:02.600 --> 26:06.240 align:start
And this also was filtering
into my life obviously.

26:06.240 --> 26:09.550 align:start
It was not just about a very
serious exploration on drawing,

26:09.550 --> 26:13.090 align:start
but instead just trying to
externalize all the questions

26:13.090 --> 26:17.210 align:start
and all the anguish
that was going inside.

26:17.210 --> 26:21.680 align:start
And then the other essential
part for me became iterations.

26:21.680 --> 26:27.580 align:start
This is a big bad wolf on a
retake on Little Red Riding Hood,

26:27.580 --> 26:32.900 align:start
and I decided to tell the story from
-- with a little bit of a spinoff.

26:32.900 --> 26:36.470 align:start
I don't know if you can
see clearly from there,

26:36.470 --> 26:40.420 align:start
but Red Riding Hood is walking,
she's all of a sudden attacked

26:40.420 --> 26:45.390 align:start
by the wolf, but not to eat her
or eat her treats or anything,

26:45.390 --> 26:47.430 align:start
but all he wanted was the cape.

26:47.430 --> 26:51.480 align:start
And so he's dancing and prancing
and then at the end he flies.

26:51.480 --> 26:53.550 align:start
So that's one interpretation.

26:53.550 --> 26:59.330 align:start
Then I drew another interpretation
where the -- instead of --

26:59.330 --> 27:03.750 align:start
instead of the, you know,
story that we had before,

27:03.750 --> 27:08.780 align:start
or with the super flying
wolf, I just decided

27:08.780 --> 27:12.790 align:start
to have little red riding hood
say, okay, enough of this.

27:12.790 --> 27:17.270 align:start
I need my cape back
and then on they went.

27:17.270 --> 27:21.600 align:start
The other great factor
besides observation,

27:21.600 --> 27:26.700 align:start
iteration, failing, was process.

27:26.700 --> 27:31.590 align:start
And I just have one single
example of process here,

27:31.590 --> 27:35.360 align:start
and it's just documenting the
buildup of an illustration

27:35.360 --> 27:39.130 align:start
that was later used for a
documentary through PBS.

27:39.130 --> 27:45.130 align:start
It was about a -- the story
of two Colombian women,

27:45.130 --> 27:47.140 align:start
two very brave Colombian women.

27:47.140 --> 27:50.930 align:start
One of them, the mother, who
was kidnapped for seven years.

27:50.930 --> 27:52.840 align:start
The other, the daughter,
who happened to be

27:52.840 --> 27:55.240 align:start
in D.C. while her mother
was kidnapped in the jungle

27:55.240 --> 27:59.470 align:start
of Columbia for a number of years.

27:59.470 --> 28:03.600 align:start
So I wanted to have both
worlds come together somehow.

28:03.600 --> 28:08.200 align:start
So you can see to the -- to
the left Washington, D.C.,

28:08.200 --> 28:11.810 align:start
and you might find some of those
buildings a little bit familiar.

28:11.810 --> 28:15.800 align:start
And then towards the
right the jungle.

28:15.800 --> 28:18.850 align:start
So here's a close-up of Washington,

28:18.850 --> 28:24.550 align:start
D.C. And in the animation I made
the, you know, the little red lights

28:24.550 --> 28:29.490 align:start
at the top of the George Washington
Monument flicker and the lights

28:29.490 --> 28:33.850 align:start
in the -- in the Kennedy Center
move around a little bit, and so on.

28:33.850 --> 28:38.020 align:start
So detail was, of course,
imperative.

28:38.020 --> 28:42.010 align:start
The other thing I decided to
take on was to take great leaps,

28:42.010 --> 28:46.990 align:start
and these were unexpected leaps,
but in a way it was just learning

28:46.990 --> 28:51.860 align:start
to say yes to projects
that came my way.

28:51.860 --> 28:56.410 align:start
And I applied all of these things,
as I was saying, observation,

28:56.410 --> 29:00.770 align:start
exploration, iteration,
failure, process,

29:00.770 --> 29:05.950 align:start
and not only to work
or life, but to play.

29:05.950 --> 29:11.000 align:start
And this allowed for me to have a
much easier platform to navigate.

29:11.000 --> 29:13.770 align:start
And whenever I was asked
by then, who are you?

29:13.770 --> 29:17.770 align:start
At least I could, you know, come
up with an answer just based

29:17.770 --> 29:19.330 align:start
on what I had been working on.

29:19.330 --> 29:21.470 align:start
Not everything was done on my own.

29:21.470 --> 29:25.000 align:start
I was also very lucky to
find wonderful mentors

29:25.000 --> 29:30.150 align:start
who offered extraordinary
examples to follow.

29:30.150 --> 29:34.880 align:start
And they also made sure to point
out examples not to follow,

29:34.880 --> 29:37.670 align:start
and for that I'm tremendously
grateful.

29:37.670 --> 29:41.470 align:start
As I noticed through their
work, and the work I was doing,

29:41.470 --> 29:43.500 align:start
and how I was encountering
the world,

29:43.500 --> 29:48.520 align:start
I recognized that one very
important thing was to be kind,

29:48.520 --> 29:52.440 align:start
that kindness goes a
really, really long way.

29:52.440 --> 29:58.490 align:start
The other thing I realized is
that working hard does help a lot.

29:58.490 --> 30:03.080 align:start
And being an immigrant, it's
not just hard, it's hard.

30:03.080 --> 30:07.260 align:start
And because of that hard work
and to keep a balance in life

30:07.260 --> 30:11.000 align:start
and to not go bitter about all
the work that was being done,

30:11.000 --> 30:12.940 align:start
it was important to have fun.

30:12.940 --> 30:18.190 align:start
And so I decided to keep these three
rules for whatever I was doing,

30:18.190 --> 30:20.170 align:start
and I still try to keep them.

30:20.170 --> 30:27.470 align:start
Now following rules is not
easy, but I certainly try.

30:27.470 --> 30:31.360 align:start
Being an immigrant makes
things even harder.

30:31.360 --> 30:35.430 align:start
The level of uncertainty
makes it very difficult,

30:35.430 --> 30:39.460 align:start
so as graduation got
closer and closer,

30:39.460 --> 30:42.330 align:start
there I was hunting
again for a visa.

30:42.330 --> 30:43.630 align:start
So what next?

30:43.630 --> 30:47.410 align:start
What could I do after all the effort
that I had been putting into my work

30:47.410 --> 30:51.750 align:start
and considering myself
a creative person?

30:51.750 --> 30:55.910 align:start
I noticed that many of my
characteristics were considered

30:55.910 --> 31:00.730 align:start
by society as disadvantages, and
I realized that I couldn't put it

31:00.730 --> 31:04.480 align:start
in their shoulders to turn those
disadvantages into advantages,

31:04.480 --> 31:07.180 align:start
that it was completely up to me.

31:07.180 --> 31:10.180 align:start
And I thought if it is up
to me I won't turn them only

31:10.180 --> 31:14.460 align:start
into advantages, but big
advantages and make sure

31:14.460 --> 31:17.940 align:start
that I would become indispensable.

31:17.940 --> 31:20.830 align:start
I don't know how to do
absolutely extraordinary things

31:20.830 --> 31:25.240 align:start
that will save humanity, that is
not the way I become indispensable,

31:25.240 --> 31:28.970 align:start
but in the work I do and how I
do it, that's how I could keep

31:28.970 --> 31:34.300 align:start
on working hard, being kind, and
having fun, and making things

31:34.300 --> 31:37.050 align:start
as seemingly indispensable
as possible.

31:37.050 --> 31:42.690 align:start
In one of those efforts I
became a VIP guide for RISD.

31:42.690 --> 31:46.890 align:start
And what this meant was I was
touring all the VIP visitors

31:46.890 --> 31:51.040 align:start
that came to RISD,
showing them the buildings

31:51.040 --> 31:53.220 align:start
and what was going
on around the school.

31:53.220 --> 31:58.160 align:start
And this allowed for absolutely
fantastic conversations,

31:58.160 --> 32:02.060 align:start
and most of them would say to
me, what do you want to do?

32:02.060 --> 32:04.000 align:start
What is it that you want to do?

32:04.000 --> 32:09.350 align:start
And I would say, I just
want to tell stories.

32:09.350 --> 32:15.420 align:start
And these incredible men and women
would be very kind until I would say

32:15.420 --> 32:17.850 align:start
that and then they would
say, you can't do that,

32:17.850 --> 32:20.280 align:start
you have to do something
more than just tell stories.

32:20.280 --> 32:22.790 align:start
It's not -- I mean, are
you going to tell stories?

32:22.790 --> 32:24.090 align:start
Are you going to write books?

32:24.090 --> 32:25.390 align:start
Are you going to make movies?

32:25.390 --> 32:26.690 align:start
What are you going to do?

32:26.690 --> 32:30.570 align:start
And I would say, stories,
that's what I really want to do.

32:30.570 --> 32:32.740 align:start
No, not a possibility.

32:32.740 --> 32:36.600 align:start
So I just said, okay,
I'll do it on my own.

32:36.600 --> 32:40.110 align:start
I kept on working hard
and harder and harder.

32:40.110 --> 32:45.160 align:start
And I got, again, very
lucky and while I was trying

32:45.160 --> 32:48.680 align:start
to figure [inaudible] visa would
come after being a student,

32:48.680 --> 32:52.260 align:start
I happened to meet Eileen Morrison.

32:52.260 --> 32:56.670 align:start
Eileen Morrison is not only a
fantastic immigration lawyer,

32:56.670 --> 32:58.730 align:start
but an extraordinary human being.

32:58.730 --> 33:01.660 align:start
And where many had said
to me, there's no option,

33:01.660 --> 33:04.930 align:start
perhaps if you find somebody to
get married, or do something that,

33:04.930 --> 33:08.430 align:start
you know, is perhaps not
the most Orthodox option,

33:08.430 --> 33:10.740 align:start
they would say, there's
no possibility.

33:10.740 --> 33:13.180 align:start
Eileen instead looked at
all my work and she said,

33:13.180 --> 33:15.850 align:start
let's try, let's give this a try.

33:15.850 --> 33:20.310 align:start
And she didn't give up and she
very sharply took everything I had.

33:20.310 --> 33:23.290 align:start
She didn't make any
promises she couldn't,

33:23.290 --> 33:25.580 align:start
but she put in her best work,

33:25.580 --> 33:29.820 align:start
and this was the most inspiring
thing I have seen when I was

33:29.820 --> 33:33.060 align:start
in a very, very dire situation.

33:33.060 --> 33:37.830 align:start
So I said before, you know, how
I had decided to take these rules

33:37.830 --> 33:40.710 align:start
of being kind, of working
hard, and having fun,

33:40.710 --> 33:44.030 align:start
but this took it to
a whole new level.

33:44.030 --> 33:49.690 align:start
Yeah, over three years of waiting,
of jumping at any project I could,

33:49.690 --> 33:54.020 align:start
of still trying to keep my life
together, and it wasn't easy.

33:54.020 --> 33:56.130 align:start
It wasn't easy at all.

33:56.130 --> 33:59.610 align:start
The uncertainty was despair inducing

33:59.610 --> 34:03.490 align:start
because it affects every
single inch of your life.

34:03.490 --> 34:05.540 align:start
Do I buy this book I love?

34:05.540 --> 34:09.640 align:start
But if I have to leave the country
in 30 days why would I buy it?

34:09.640 --> 34:13.350 align:start
Do I really want to make this
incredible friendship or what seems

34:13.350 --> 34:16.030 align:start
like -- well, I might be gone.

34:16.030 --> 34:19.880 align:start
Any conversation, it just seeps in

34:19.880 --> 34:23.360 align:start
and it's incredibly
hard to shake it off.

34:23.360 --> 34:25.550 align:start
Decision-making is hard,
as I said, you know.

34:25.550 --> 34:29.290 align:start
Do I take a new phone plan even
though my flip phone is broken

34:29.290 --> 34:31.530 align:start
and it's partly working?

34:31.530 --> 34:34.070 align:start
Well, you don't want to get
into a contract if you are going

34:34.070 --> 34:36.780 align:start
to need to leave in no time.

34:36.780 --> 34:43.120 align:start
Uncertainty could easily
drive anybody insane.

34:43.120 --> 34:46.850 align:start
And, finally, before
losing it, I decided, okay,

34:46.850 --> 34:48.370 align:start
what is under my control?

34:48.370 --> 34:52.840 align:start
What can I change to make
things easier for myself?

34:52.840 --> 34:57.170 align:start
So I decided to reach out and
to share my personal story,

34:57.170 --> 35:00.430 align:start
something I wasn't
adamant to do earlier.

35:00.430 --> 35:03.580 align:start
It was just, no, work will do it,
work will do it, and that's it.

35:03.580 --> 35:07.880 align:start
And I started realizing that
sharing my story allowed for empathy

35:07.880 --> 35:10.650 align:start
to start building, and then
people would have references,

35:10.650 --> 35:14.570 align:start
or people to point me to, and
things would start changing.

35:14.570 --> 35:16.810 align:start
And I allowed for others
to elevate me

35:16.810 --> 35:20.580 align:start
and to think of things differently.

35:20.580 --> 35:25.310 align:start
So taking on those personal
challenges and continuing

35:25.310 --> 35:28.080 align:start
to create was imperative
throughout that time.

35:28.080 --> 35:33.560 align:start
I also tried my best to aim
high and turn every disadvantage

35:33.560 --> 35:36.050 align:start
into an advantage, to make sure

35:36.050 --> 35:41.110 align:start
that the uncertainty would
be countered by adaptability.

35:41.110 --> 35:43.530 align:start
I don't know if there
are many Colombians here,

35:43.530 --> 35:44.830 align:start
but -- or [inaudible].

35:44.830 --> 35:49.840 align:start
In Columbia, in Bogata there's
a market called San Andresito.

35:49.840 --> 35:52.850 align:start
And San Andresito, whenever you go
there you can you can find anything

35:52.850 --> 35:54.150 align:start
you're looking for.

35:54.150 --> 35:56.850 align:start
And if you don't find what you're
looking for, they'll tell you all,

35:56.850 --> 35:59.880 align:start
oh, I don't have this, but
I have this, and I don't --

35:59.880 --> 36:02.550 align:start
and, you know, they'll
figure it out until you end

36:02.550 --> 36:05.830 align:start
up buying whatever it is.

36:05.830 --> 36:08.880 align:start
And I thought -- I never
thought I would find wisdom

36:08.880 --> 36:11.320 align:start
in San Andresito, but there I was.

36:11.320 --> 36:13.680 align:start
They would call, Juana, will
you do this annual report?

36:13.680 --> 36:16.310 align:start
Yes. Will you do this animation?

36:16.310 --> 36:18.000 align:start
Yes. Will you do whatever it was?

36:18.000 --> 36:20.100 align:start
Yes, I'll do it, it doesn't matter.

36:20.100 --> 36:23.580 align:start
Of course, I was collapsing out
of all the work I was taking on,

36:23.580 --> 36:27.210 align:start
but it just meant a
possibility and an opportunity.

36:27.210 --> 36:30.050 align:start
Meanwhile, Eileen kept
on working on making sure

36:30.050 --> 36:33.590 align:start
that I could get a
visa as an artist.

36:33.590 --> 36:37.730 align:start
And then I got a denial,
and it was as hard

36:37.730 --> 36:39.980 align:start
as a breakup, or even harder.

36:39.980 --> 36:46.190 align:start
It -- just the idea of, you know,
yeah, you're good but not that good.

36:46.190 --> 36:51.030 align:start
It was basically what that eight
page letter was telling me.

36:51.030 --> 36:54.820 align:start
So I was losing it.

36:54.820 --> 37:00.720 align:start
Moreover, this process was very
expensive and I didn't have a lot

37:00.720 --> 37:03.790 align:start
of money just to keep
on going and spending.

37:03.790 --> 37:09.030 align:start
But I knew I needed to stay here
and that there was no reason

37:09.030 --> 37:14.070 align:start
after all those years of hard work
to go back to Columbia and give up.

37:14.070 --> 37:15.560 align:start
Throughout the time, of course,

37:15.560 --> 37:18.380 align:start
there were ongoing
conversations with my mother.

37:18.380 --> 37:23.430 align:start
And one day in particular
she pointed out to me, Juana,

37:23.430 --> 37:28.660 align:start
this is very much like
swimming 1500 meters.

37:28.660 --> 37:31.490 align:start
One thing I didn't tell
you early on in an attempt

37:31.490 --> 37:35.300 align:start
to make the story shorter,
was that I was a swimmer

37:35.300 --> 37:38.320 align:start
for a very long time, a
competitive swimmer, and believe it

37:38.320 --> 37:41.890 align:start
or not I would swim
1500 meters as --

37:41.890 --> 37:47.760 align:start
that was what I would
compete on most at my meets.

37:47.760 --> 37:52.540 align:start
And 1500 meters is
a long, long swim.

37:52.540 --> 37:56.310 align:start
And your head feels like
it's bursting, your eyes

37:56.310 --> 38:00.320 align:start
and the goggles feel like they're
going to bulge out of your head.

38:00.320 --> 38:04.190 align:start
You barely have the
physical stamina,

38:04.190 --> 38:07.180 align:start
even though I was training
four hours a day,

38:07.180 --> 38:10.970 align:start
going an hour to the gym,
it's very, very hard to do.

38:10.970 --> 38:16.320 align:start
And the moment my mom said this
it was clear to me that I had

38:16.320 --> 38:19.560 align:start
within me the tools to keep
on swimming and to keep

38:19.560 --> 38:22.150 align:start
on going forward, and to
treat things basically

38:22.150 --> 38:25.960 align:start
as if it was a 1500 meter meet.

38:25.960 --> 38:28.870 align:start
There I am.

38:28.870 --> 38:33.270 align:start
I'm [inaudible] but,
you know, just try.

38:33.270 --> 38:38.010 align:start
So onward, and I kept
being persistent.

38:38.010 --> 38:40.720 align:start
And I had to be very,
very pragmatic,

38:40.720 --> 38:44.570 align:start
which as a Colombian wasn't
part -- wasn't easy to do.

38:44.570 --> 38:48.100 align:start
So I had to think of
myself as a phone battery

38:48.100 --> 38:52.300 align:start
and having 15% of battery left.

38:52.300 --> 38:57.440 align:start
If you have a 15% battery
left you don't check Facebook.

38:57.440 --> 39:00.610 align:start
You don't waste time, you know,

39:00.610 --> 39:04.420 align:start
chatting with somebody really don't
feel like chatting, or doing things

39:04.420 --> 39:06.900 align:start
that are unnecessary, because
you have to save that battery.

39:06.900 --> 39:09.950 align:start
And I felt that I had that --

39:09.950 --> 39:14.840 align:start
a lot of energy and I could not
lose it being tremendously dramatic

39:14.840 --> 39:18.240 align:start
or petty or crying about
things, and instead I had

39:18.240 --> 39:22.460 align:start
to keep a mentality of, okay,
that denial was very hard.

39:22.460 --> 39:23.760 align:start
Now what next?

39:23.760 --> 39:25.660 align:start
How can we overcome this?

39:25.660 --> 39:31.100 align:start
So, fortunately enough, we had
done a second filing of a visa

39:31.100 --> 39:34.790 align:start
and just kept on going
hoping for that to go well.

39:34.790 --> 39:40.180 align:start
And then when pragmatism doesn't
work, there's optimism, and of that,

39:40.180 --> 39:43.550 align:start
fortunately as Colombian,
I did have my fair share.

39:43.550 --> 39:48.560 align:start
Thank goodness by the -- by
mid-December in 2012 I received one

39:48.560 --> 39:51.200 align:start
of the most delightful
calls I've received.

39:51.200 --> 39:57.520 align:start
Eileen, my lawyer, called to say
that my visa had been approved.

39:57.520 --> 39:59.100 align:start
We both cried on the phone.

39:59.100 --> 40:00.400 align:start
We both celebrated.

40:00.400 --> 40:01.920 align:start
I still can't get over it.

40:01.920 --> 40:06.990 align:start
And that night of the 12th I
slept like I hadn't in years.

40:06.990 --> 40:12.630 align:start
For those of you who have waited for
a visa, you know what that means.

40:12.630 --> 40:17.010 align:start
Shortly after I got a book
deal that made me feel

40:17.010 --> 40:20.090 align:start
like the effort was
entirely worth it.

40:20.090 --> 40:23.660 align:start
I have been showing some of
the illustrations of the book

40:23.660 --> 40:24.960 align:start
within this presentation.

40:24.960 --> 40:29.550 align:start
That book is called Juana and
Lucas and it's back there.

40:29.550 --> 40:34.510 align:start
And this validated a lot of
the work that I had been doing.

40:34.510 --> 40:38.130 align:start
Moreover, I happened to
meet Sally, my partner,

40:38.130 --> 40:42.400 align:start
and this was within a span of three
months, and I thought, oh my gosh,

40:42.400 --> 40:46.130 align:start
is this whole year
going to go this way?

40:46.130 --> 40:51.300 align:start
So it was in a way a new
life and a way to see

40:51.300 --> 40:54.150 align:start
that hard work had paid off,

40:54.150 --> 40:57.640 align:start
that there was definitely
a certain amount of luck,

40:57.640 --> 41:01.760 align:start
but a lot of it had been that
persistence, that pragmatism,

41:01.760 --> 41:06.930 align:start
that optimism just in the right
dose to make things happen.

41:06.930 --> 41:09.930 align:start
So is now everything perfect?

41:09.930 --> 41:20.820 align:start
No, but darn close, and for
that I think it's worth saying

41:20.820 --> 41:26.920 align:start
that the journey was humbling,
very reassuring, fortunately,

41:26.920 --> 41:29.190 align:start
and tremendously inspiring.

41:29.190 --> 41:31.090 align:start
And for that I'm grateful.

41:31.090 --> 41:32.890 align:start
Thank you very much.

41:32.890 --> 41:44.370 align:start
[ Applause ]

41:44.370 --> 41:45.670 align:start
>> Catalina Gomez: Thank
you so much, Juana,

41:45.670 --> 41:47.800 align:start
for this beautiful,
beautiful presentation.

41:47.800 --> 41:49.920 align:start
Again, we're selling
the books in the back.

41:49.920 --> 41:51.220 align:start
And also I wanted to announce

41:51.220 --> 41:54.290 align:start
that we have this little
survey close to the exit here.

41:54.290 --> 41:57.320 align:start
They're from our office
of communications.

41:57.320 --> 41:59.910 align:start
If you have a second to fill those
out we would really appreciate it.

41:59.910 --> 42:02.130 align:start
Thank you again for coming.

42:02.130 --> 42:03.430 align:start
>> Can I ask you a question?

42:03.430 --> 42:04.730 align:start
>> Juana Medina: Sure, yeah.

42:04.730 --> 42:06.030 align:start
>> Catalina Gomez: Questions,
yeah, we have questions.

42:06.030 --> 42:07.540 align:start
We're speechless, I'm speechless.

42:07.540 --> 42:08.840 align:start
>> Juana Medina: Yes [inaudible]?

42:08.840 --> 42:12.950 align:start
>> When you're doing the
illustrations with the food,

42:12.950 --> 42:19.440 align:start
do you have any set way of
designing the illustrating first,

42:19.440 --> 42:23.440 align:start
or do you see a piece of food and --

42:23.440 --> 42:27.660 align:start
>> Juana Medina: It's mostly the
food first, and that does help.

42:27.660 --> 42:33.100 align:start
With the latest series of books
that I've been working with food,

42:33.100 --> 42:39.870 align:start
there has been some theme set up
beforehand so that I have an idea

42:39.870 --> 42:43.760 align:start
of what I have to -- you know, the
parameters I have to work within.

42:43.760 --> 42:48.220 align:start
But if it's just for fun I'll
look at a carrot and see,

42:48.220 --> 42:50.960 align:start
you know, what ends up happening.

42:50.960 --> 42:54.960 align:start
So it's not necessarily
prescribed, yeah.

42:54.960 --> 42:57.510 align:start
>> Like the radish that
you showed a minute ago.

42:57.510 --> 42:58.810 align:start
>> Juana Medina: Yeah.

42:58.810 --> 43:01.380 align:start
>> Do you draw from a photograph
or [inaudible] like that?

43:01.380 --> 43:05.090 align:start
[inaudible] on paper and
then you put the food there,

43:05.090 --> 43:07.720 align:start
but that's not possible.

43:07.720 --> 43:09.020 align:start
>> Juana Medina: Right.

43:09.020 --> 43:12.880 align:start
Yeah, so initially I did
start drawing with pen and ink

43:12.880 --> 43:15.890 align:start
around the fruit that I was
using, and then I realized

43:15.890 --> 43:19.240 align:start
that it's a lot easier to
just photograph the food

43:19.240 --> 43:21.430 align:start
because it has such
a short lifespan.

43:21.430 --> 43:26.120 align:start
So just to photograph the food, take
it into Photoshop and try all sorts

43:26.120 --> 43:28.140 align:start
of iterations, so that guaranteed

43:28.140 --> 43:31.940 align:start
that I could play a
lot more with it.

43:31.940 --> 43:36.060 align:start
So, yeah, this is Photoshop.

43:36.060 --> 43:42.620 align:start
And then I can use it, you know,
for however many times I want, yeah.

43:42.620 --> 43:45.510 align:start
Yes?

43:45.510 --> 43:59.040 align:start
[ Inaudible ]

43:59.040 --> 44:01.870 align:start
>> Absolutely, yes.

44:01.870 --> 44:03.780 align:start
There have been many influences.

44:03.780 --> 44:07.570 align:start
I think being a child,
Quentin Blake,

44:07.570 --> 44:10.070 align:start
Jules Feiffer, Kino [phonetic].

44:10.070 --> 44:18.190 align:start
I'm blanking right now but,
you know, there were so --

44:18.190 --> 44:20.550 align:start
yeah, Cheryl Steinberg
[assumed spelling],

44:20.550 --> 44:23.150 align:start
were of great inspiration.

44:23.150 --> 44:28.370 align:start
And then I started learning a
whole new amount of illustrators

44:28.370 --> 44:37.170 align:start
and cartoonists and that definitely
was humbling and so inspiring.

44:37.170 --> 44:41.040 align:start
Moreover, and thanks for your
question, as Catalina was saying,

44:41.040 --> 44:45.050 align:start
winning the National Cartoonist
Society J. Kennedy Memorial

44:45.050 --> 44:51.550 align:start
Scholarship was a wonderful way of
connecting with many cartoonists,

44:51.550 --> 44:55.490 align:start
and that guaranteed that
I could learn from them,

44:55.490 --> 45:00.050 align:start
not just about their work, but
their personal experience with art,

45:00.050 --> 45:07.510 align:start
and that was a -- you know, just
a great privilege really, yeah.

45:07.510 --> 45:19.530 align:start
[ Inaudible ]

45:19.530 --> 45:20.830 align:start
That's a really good question.

45:20.830 --> 45:25.670 align:start
So with Juana and Lucas, the story
was very clear from the beginning.

45:25.670 --> 45:27.600 align:start
I'll just tell you very briefly.

45:27.600 --> 45:30.990 align:start
What happened was my mom picked
me up at school and I was fuming

45:30.990 --> 45:33.770 align:start
and furious, and she
asked what was going on.

45:33.770 --> 45:37.030 align:start
And I said, well they want me to
learn something called the English.

45:37.030 --> 45:39.270 align:start
I really don't want to learn this.

45:39.270 --> 45:42.010 align:start
And she said, well, we're
going to Disney World

45:42.010 --> 45:46.050 align:start
and Mickey Mouse only speaks English
so you might want to give it a try.

45:46.050 --> 45:49.320 align:start
And that kind of solved it.

45:49.320 --> 45:52.310 align:start
So the structure of
the story was there

45:52.310 --> 45:56.740 align:start
and it was very clear
what I wanted to do.

45:56.740 --> 46:00.690 align:start
And when I started presenting
the pitch for the story

46:00.690 --> 46:03.930 align:start
to different publishing houses
I got all sorts of answers.

46:03.930 --> 46:06.600 align:start
Within those answers
there were some that said,

46:06.600 --> 46:08.210 align:start
you know, Bogata is too remote.

46:08.210 --> 46:10.080 align:start
Nobody really knows about Columbia.

46:10.080 --> 46:12.930 align:start
Why we should kids in the
U.S. learn about Columbia?

46:12.930 --> 46:14.390 align:start
That's not interesting.

46:14.390 --> 46:17.400 align:start
Some were saying, well,
this is very exciting.

46:17.400 --> 46:18.700 align:start
The character is very cute.

46:18.700 --> 46:20.450 align:start
Why don't we make them Mexican,

46:20.450 --> 46:24.070 align:start
and instead of a dog we give
her a burro, and instead of --

46:24.070 --> 46:26.600 align:start
you know, oh she would be
so cute with a sombrero.

46:26.600 --> 46:27.900 align:start
And I was like, Jesus,

46:27.900 --> 46:31.550 align:start
do they realize how offensive
this is just, you know?

46:31.550 --> 46:34.680 align:start
And moreover, unfortunately,
I've never been to Mexico

46:34.680 --> 46:36.290 align:start
so how could I tell the story.

46:36.290 --> 46:38.860 align:start
And so it was really interesting.

46:38.860 --> 46:42.330 align:start
Or turning her -- the
character into an immigrant

46:42.330 --> 46:43.650 align:start
and being at Jackson Heights.

46:43.650 --> 46:46.790 align:start
And I thought that's perfectly
valid, but it's not my experience.

46:46.790 --> 46:48.370 align:start
I can't really speak of that.

46:48.370 --> 46:53.880 align:start
So that was a point where instead
of yes, I had to very kindly decline

46:53.880 --> 46:56.980 align:start
and say no, and know
exactly what I wanted to do.

46:56.980 --> 46:59.750 align:start
And that's hard, especially
after saying yes so many times

46:59.750 --> 47:03.630 align:start
to everything, and not
knowing if that no is going

47:03.630 --> 47:07.710 align:start
to cut my opportunities
that are lying ahead.

47:07.710 --> 47:10.200 align:start
Yeah. Yes?

47:10.200 --> 47:20.440 align:start
>> Speaking of Columbia, how does
[inaudible] is that tomorrow?

47:20.440 --> 47:23.540 align:start
>> Juana Medina: It's --
the voting is next week.

47:23.540 --> 47:25.810 align:start
I'm so moved.

47:25.810 --> 47:31.020 align:start
I am so moved to think that after
so, so many years we are going

47:31.020 --> 47:32.820 align:start
to see peace in our lifetime.

47:32.820 --> 47:36.590 align:start
That is the most exciting
thing I can think of.

47:36.590 --> 47:42.590 align:start
And I truly hope that all of us
Colombians will be able to see

47:42.590 --> 47:43.960 align:start
that in some kind of way.

47:43.960 --> 47:45.810 align:start
Is this peace treaty perfect?

47:45.810 --> 47:48.150 align:start
No, but no peace is
going to be perfect.

47:48.150 --> 47:53.510 align:start
It's -- there's been so much pain
and so many violations of everything

47:53.510 --> 47:56.400 align:start
that it's impossible
to think of a way

47:56.400 --> 48:01.990 align:start
that would erase the
problematic entirely, but I truly,

48:01.990 --> 48:05.640 align:start
truly hope for a yes and that
people will see the value

48:05.640 --> 48:08.880 align:start
of what has been done in
Cuba in all the talks.

48:08.880 --> 48:10.180 align:start
Yeah. Yeah.

48:10.180 --> 48:11.480 align:start
Yes?

48:11.480 --> 48:17.620 align:start
>> How much of a culture
shock was [inaudible]?

48:17.620 --> 48:19.980 align:start
>> Juana Medina: Oh,
it was interesting

48:19.980 --> 48:25.750 align:start
because my grandparents lived in
Boston for a while, so I had grown

48:25.750 --> 48:29.830 align:start
up hearing a lot of stories about
Boston and I -- we had visited.

48:29.830 --> 48:32.830 align:start
So it wasn't a tremendous shock,

48:32.830 --> 48:35.620 align:start
until conversations
started to come forward.

48:35.620 --> 48:39.840 align:start
I remember in particular talking
to somebody for about half an hour

48:39.840 --> 48:41.850 align:start
and she must have been
completely absent-minded and all

48:41.850 --> 48:44.100 align:start
of a sudden she turns to
me and she says, you know,

48:44.100 --> 48:47.940 align:start
I just realized this is the first
person, I talked to a brown person.

48:47.940 --> 48:54.330 align:start
And I couldn't even
think of what to say.

48:54.330 --> 48:58.410 align:start
So, yeah, there have
been interesting things,

48:58.410 --> 49:01.080 align:start
but not all of them have
happened in New England.

49:01.080 --> 49:02.380 align:start
I love New England.

49:02.380 --> 49:06.350 align:start
I'll be there in a week
or so, and I love it.

49:06.350 --> 49:08.140 align:start
But it was interesting.

49:08.140 --> 49:11.560 align:start
D.C. also has -- I mean, I
remember I was volunteering

49:11.560 --> 49:13.580 align:start
at Walter Reed Army Medical Center,

49:13.580 --> 49:17.490 align:start
and on my first day this very
kind woman was guiding me

49:17.490 --> 49:20.430 align:start
through the hospital, which is huge.

49:20.430 --> 49:22.960 align:start
This was at the prior location.

49:22.960 --> 49:24.930 align:start
And all of a sudden
she said, wait hold on,

49:24.930 --> 49:26.710 align:start
I need to show you something,

49:26.710 --> 49:29.950 align:start
because I had told
her I was Colombian

49:29.950 --> 49:31.800 align:start
and I had just arrived
and all these things.

49:31.800 --> 49:36.670 align:start
And she said, let me show
you, this is an elevator.

49:36.670 --> 49:39.230 align:start
If you press this button you go up.

49:39.230 --> 49:40.900 align:start
If you press this button
you go down.

49:40.900 --> 49:45.420 align:start
And I was like, wow, you know, we
don't have those in the jungle.

49:45.420 --> 49:48.030 align:start
I mean, it's just like, oh my God.

49:48.030 --> 49:53.570 align:start
I mean, how do you
even -- so I just said,

49:53.570 --> 49:55.070 align:start
thank you, thank you very much.

49:55.070 --> 49:59.570 align:start
And then later on --
because I think people most

49:59.570 --> 50:01.360 align:start
of the time do it out of kindness.

50:01.360 --> 50:04.470 align:start
And there's some nervousness
and simply not knowing.

50:04.470 --> 50:09.010 align:start
And I'm sure I have said
awful, awful things to people,

50:09.010 --> 50:10.790 align:start
you know, in many situations.

50:10.790 --> 50:12.860 align:start
So it was hard.

50:12.860 --> 50:17.440 align:start
At the end of the, you know, just a
few minutes later we were standing

50:17.440 --> 50:20.080 align:start
in line and she said, so
how is the cultural shock?

50:20.080 --> 50:22.770 align:start
You know, how hard has it
been to adapt to the city?

50:22.770 --> 50:25.340 align:start
And I said, you know, I feel
like I'm in a small town.

50:25.340 --> 50:28.160 align:start
It feels so tiny and the
buildings are so short.

50:28.160 --> 50:30.150 align:start
And she was like, really?

50:30.150 --> 50:38.880 align:start
Really? So, yeah, I think, again,
kindness goes a long way, yeah.

50:38.880 --> 50:42.170 align:start
>> I hear that you're
going to participate

50:42.170 --> 50:43.470 align:start
in a project with [inaudible].

50:43.470 --> 50:48.550 align:start
Can you comment a little about this?

50:48.550 --> 50:50.640 align:start
>> Juana Medina: You
heard right, yes.

50:50.640 --> 50:54.310 align:start
I can barely contain
myself about this project.

50:54.310 --> 50:56.260 align:start
I'm so excited.

50:56.260 --> 50:59.680 align:start
Can I say the name?

50:59.680 --> 51:05.280 align:start
Catalina [inaudible] will be
joining many young readers

51:05.280 --> 51:08.400 align:start
through her Technicolor Adventures.

51:08.400 --> 51:15.070 align:start
And the poet laureate has been
writing absolutely fantastic,

51:15.070 --> 51:18.910 align:start
just such beautiful
versus for this project.

51:18.910 --> 51:20.390 align:start
And we'll be collaborating.

51:20.390 --> 51:21.690 align:start
He will be writing.

51:21.690 --> 51:22.990 align:start
I will be illustrating.

51:22.990 --> 51:24.290 align:start
And there's a whole team
behind us guaranteeing

51:24.290 --> 51:28.940 align:start
that everything will turn
out as well as it can go.

51:28.940 --> 51:34.380 align:start
And it'll be a great
collaboration with second graders.

51:34.380 --> 51:36.100 align:start
>> Second and third graders.

51:36.100 --> 51:37.640 align:start
>> Second and third graders,

51:37.640 --> 51:42.010 align:start
so we can't wait [inaudible]
come up with, yeah.

51:42.010 --> 51:43.310 align:start
Yeah? That was your question?

51:43.310 --> 51:45.970 align:start
Oh great. Good.

51:45.970 --> 51:47.910 align:start
All right.

51:47.910 --> 51:49.420 align:start
Well, thank you very much.

51:49.420 --> 51:55.020 align:start
Thank you [applause].

51:55.020 --> 51:58.720 align:start
>> This has been a presentation
of the Library of Congress.

51:58.720 --> 52:01.100 align:start
Visit us at loc.gove.
