WEBVTT

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>> Maria Thurber:
Hello, everybody,

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and welcome to the
Hispanic Reading Room.

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My name is Dani Thurber, and I
am a reference librarian here

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in the Hispanic Division.

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We are here to celebrate a
National Hispanic Heritage Month

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staple in the Library
of Congress,

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the 26th Annual Americas Award.

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This year, we added additional
events, including earlier today,

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an author reading
with Francie Latour,

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who read from this
year's honored book,

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"Auntie Luce's Talking
Paintings."

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Following the ceremony, join us
for a hands-on workshop inspired

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by Duncan Donatiuh's
award-winning work,

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"Undocumented, A
Worker's Fight,"

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and the treasured Mesoamerican
codices that are part

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of the Library's collection.

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We will create a collective
work to be on display

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in the Hispanic Reading Room
through Hispanic Heritage Month.

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A reception and book sale

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for this year's commented
titles will follow the ceremony

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as well.

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And now, I will pass the
mike to Dr. Suzanne Schadl,

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chief of the Hispanic Division.

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[ Applause ]

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>> Suzanne Schadl: Welcome.

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I hope that that clapping
was for Dani Thurber.

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So if you would just
clap again for Dani --

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[ Applause ]

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-- and if all of you would
help me tip the hat to her

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for organizing all of our
events today in collaboration

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with colleagues in the
Hispanic Cultural Society,

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the Young Readers' Center, the
Learning and Innovation Office,

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and also, if you would recognize
our special events crew,

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who makes sure that you
can hear us, and see us,

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and that you have seats.

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And I appreciate
all of you bearing

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with us in an intimate space.

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We think it's important to be
in this intimate space together.

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So I hope that it doesn't get
too warm here for everyone,

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and if it does, just
enjoy it [laughter].

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How's that?

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Okay. We are also happy to
be here with the Consortium

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of Latin American
Studies Programs, CLASP,

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and I'll talk a little bit
about them in a second.

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So Dani told you my name.

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I'm Suzanne Schadl.

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It is a real privilege
for me to be a chief

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in the Hispanic division.

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Not only do I get to host
authors, today we had the honor

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of hearing Francie
Latour read from her work,

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and discuss that work
with the audience.

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We'll also have the privilege
this evening of working

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with Duncan Tonatiuh, with
the format of the codex.

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We get to -- Duncan's
also an illustrator.

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We'd love to bring other
illustrators here next year,

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too, and educators, and to
work to provide inspiration

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for learning and creating.

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And I hope everybody
will stay with us

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after the awards ceremony
this evening in order

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to use the inspiration of
books, and the material that go

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into creating those books
to create our own work.

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And I would be happy to show
you other things around the room

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that we like to do the
same kind of work with.

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I also have the pleasure
of working with a team

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of excellent librarians and
editors to engage people

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with materials on and from the
Caribbean, Latin America, Spain,

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Portugal, the indigenous
peoples in all of those regions,

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and also people with Spanish and
Portuguese heritage that are all

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over the world, pretty
much every continent.

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We get to collect
materials from those places,

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and help people find them here
in the Library of Congress.

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I want to thank everyone
for attending this ceremony,

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and for staying on
this evening also.

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I'd like to give a special
thanks to all of our authors,

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and recognize those who are
able to be here with us tonight.

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Francie and Duncan, thank you
so much for sharing your work

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with us, and we're here tonight
because of the Americas Award.

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And you're going to hear a lot
more about the Americas Award,

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and all of the works
that are recognized.

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And the Americas Award is
organized through the Consortium

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of Latin American
Studies Programs,

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and this is something
sort of dear to my heart.

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So I'd like to say a
few words about that.

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CLASP is an organization
of educators,

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college educators
working with high school

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and middle school educators,
and public educators,

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and libraries all
over the country

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to foster global competency.

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To help promote language
proficiency,

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to make less-commonly-known
languages more knowable

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in our communities, and to
create more cultural awareness

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of Latin America
and the Caribbean.

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A lot of people look at
children's books and forget

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that those are materials that
are shared between adults,

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and children, and communities.

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And the information that
is shared in that kind

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of a communal setting is really
a wonderful opportunity for us

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to address difficult topics
with one another in ways

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that are accessible, and in ways
that really do embrace diversity

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by welcoming different ages

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to come together
around those topics.

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So I am really appreciative of
the work that our reviewers do

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in working at universities,
and thinking

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about these children's
texts as texts that are --

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that are doing an important job

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in educating beyond
the university.

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Beyond that, I guess I'm
just going to turn the mike

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over to our partners at CLASP.

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Denise Woltering-Vargas
from Tulane University,

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please take the microphone
away from me.

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[ Applause ]

06:16.270 --> 06:18.300 align:start
>> Denise Woltering-Vargas:
Good evening.

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My name is Denise
Woltering-Vargas.

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I am one of the coordinators
of the Americas Award.

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Thanks to Dani, and to Suzanne.

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On behalf of the Consortium of
Latin American Studies Programs,

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Tulane University,
Vanderbilt University,

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the Centers for Latin
American Studies

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at Florida International
University, Stanford University,

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the Ohio State University,
University of Florida,

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University of New Mexico,
University of Utah,

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UNC Duke Consortium in Latin
American and Caribbean Studies,

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and the University of
Wisconsin, Milwaukee.

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All of our centers helped
to put together the support,

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the funds to be able to
provide this book award,

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so we appreciate their
support and their sponsorship.

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This year, as you heard
from Dani, is our 26th year

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of celebrating the Americas
Award, which is pretty special.

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We're really very excited.

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The award was founded --
like to do a little history.

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I know it's in your program,
but it was founded in 1993

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by Associate Director Julie
Kline, who's here with us.

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So thank you so much, Julie,
for continuing to come

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and support the work
that you began in '93.

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She was at the University
of Wisconsin Milwaukee,

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and since 2012, both Tulane

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and Vanderbilt have
coordinated this award.

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We would come every fall to
do a Hispanic Heritage event

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with the Library of Congress.

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We would work with Georgette and
Catalina [assumed spellings],

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and put together
an awards ceremony.

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This year, we are so excited
to be working this year

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with both Suzanne and Dani, who
brought a very new perspective,

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and a really great approach to
engaging with our community,

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and engaging here at
the Library of Congress.

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We're very appreciative
of the continued support

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and partnership of
the Hispanic Division

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and the Library of Congress.

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Awards are given to two of
-- up to two books a year,

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and are selected for their
distinctive literary quality,

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cultural contextualization,
exceptional integration of text,

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illustration, and design, and
potential for classroom use.

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The goal of this award
is to link the Americas

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to reach beyond geographic
borders, focusing instead

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on cultural heritages
within the hemisphere.

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This year, we're very
lucky to have three

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of our committee members here.

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This year, we have a committee
comprised of teachers, faculty,

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and community across
the country.

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We're very unique in
having this collection

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of folks look and review books.

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We have Dr. David
Campos at the University

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of Incarnate Word
here with us today.

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He is the chair of the
2019 Americas Award.

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Other committee members with
us today are Connie Sharp

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from Nashville, Christi
Moraga from Connecticut,

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who was one of our original
committee members back in '93.

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So thank you for being with us.

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We are missing a couple
of her colleagues --

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Luciano Marzulli in Utah,

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and Dr. Patricia
Austin in Louisiana.

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In the fall, the books were
submitted, and beginning

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in March, the committee gathers
online via conference calls

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in a series of meetings
to determine the winners,

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the honorable mentions,
and the commended titles.

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These conversations are
enlightening, insightful,

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and at times, very spirited,
and shows the passion

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that the committee members
felt about the diverse cultures

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of Latin America
that they represent.

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Both Colleen and I are extremely
grateful for the hard work

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of the committee, and
they care they put

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into choosing this
year's award winners,

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honorable mentions,
and commended titles.

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I will now hand it over to the
2019 Americas Award committee

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chair, David.

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[ Applause ]

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>> David Campos: Thank
you so very much.

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I just want to say that,
for the last three years,

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I've had the honor and privilege
of working with the committee.

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That's been a lot of fun, and
the joy that the conversations

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that we've had -- and
I have to say that,

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for the last three years, I
think my mailman has gotten used

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to me being so excited.

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Because he was delivering
me a package of books,

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and I was always eager
to jump right into it.

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I will be recognizing the
commended titles, and I'm going

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to be reading those to you.

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The first one is "Alma and How
She Got Her Name," "Carmela Full

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of Wishes," "Dreamers," "La
Frontera, My Journey With Papa,"

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"A Gift from Abuela,"
"Jazz Owls,"

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""Marcus Vega Doesn't
Speak Spanish,"

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"Merci Suarez Changes
Gears," "Photographic,

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the Life of Graciela
Iturbide," "Puerto Rico Strong,

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a Comics Anthology Supporting
Puerto Rico Disaster,"

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"They Call Me Guero, A Border
Kid's Poems, "When Angels Sing,

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The Story of Rock
Legend Carlos Santana."

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Let's give a hand in recognizing
those commended titles.

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[ Applause ]

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And now I'm going to
hand over the podium

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to my colleague, Christi.

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>> Christi Moraga: Good evening.

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My name is Christi Moraga from
Connecticut, and this evening,

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I am happy to say that
there were two books

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that the Americas Book Award
committee deemed so outstanding

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that we would like
to honor them today

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with the 2019 Americas
Honorable Mention titles.

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First, the author Elizabeth
Acevedo could not be

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with us today, but
her book called

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"The Poet X" impressed
the committee members

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with its raw authenticity
and cultural sensitivities.

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The book is a novel made
up of poetry that centers

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around a Dominican
teen who is trying

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to find her way in
a hybrid world.

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She is restrained by her
parents, especially her mother,

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who is very religious.

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She becomes confused with her
first romantic relationship,

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and she struggles with the
co dependence that she has

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with her twin brother.

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Some of you may have
been saved by a teacher.

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Xiomara, the name
of the protagonist,

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is invited by her
English teacher

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to attend an after-school
poetry club.

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Writing poetry becomes an
oral activity, and eventually,

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Xiomara finds her
voice at a poetry slam.

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If you have never
been to a poetry slam,

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the experience is enlightening,

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as you watch young
people find their voices.

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I've been to one in
Hartford, and it's incredible.

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Congratulations to
Elizabeth Acevedo in absentia

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for this amazing book
for young adults.

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Our next honoree is
here, and perhaps some

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of you heard Francie Latour
reading in the morning session.

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Her picture book, "Auntie
Luce's Talking Paintings,"

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called to me in many ways.

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This is a story of a little New
York Haitian girl whose world

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grows immensely when she
visits her Auntie Luce

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on the island of her ancestors.

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Through the medium of painting,
Auntie Luce reminds her niece

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that the island has
a collective history

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and a personal history
that she is part of.

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Not only does Auntie Luce
commemorate historical figures

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like Dessalines and Louverture,
but she also paints the villages

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and countryside, the
marketplace, the good

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and the bad of everyday life.

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She paints her own family,
and most importantly,

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she paints the little girl
who is longing to remember

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and striving to belong.

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I love the string of
adjectives that Miss Latour uses

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to describe the many hues of
Haiti and the Haitian people.

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The illustrator, Ken Daley, has
transformed her vibrant words

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into vibrant pictures
that permit outsiders

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to step into Haitian life.

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I am proud to award the 2019
Americas Honorable Mention

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to "Auntie Luce's
Talking Paintings,"

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written by Francie Latour
and illustrated by Ken Daley.

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[ Applause ]

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And now, the amazing
Francie Latour.

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[ Applause ]

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>> Francie Latour: Hi, everyone.

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Thank you, Christi.

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>> Christi Moraga:
You're welcome.

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>> Francie Latour: I appreciate
that introduction so much.

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Good afternoon, everyone.

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Good afternoon, everyone
[laughter].

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>> Good afternoon.

15:15.590 --> 15:17.000 align:start
>> Francie Latour: Okay.

15:17.000 --> 15:22.210 align:start
It means a lot to be included
in making community with you all

15:22.210 --> 15:26.180 align:start
in this gathering,
in this moment,

15:26.180 --> 15:29.290 align:start
and in this particular way.

15:29.290 --> 15:33.210 align:start
So traditionally,
when Haitians gather,

15:33.210 --> 15:36.810 align:start
or even greet each other, the
greeter says [foreign language],

15:36.810 --> 15:42.560 align:start
honor, and those who are
gathered respond by saying,

15:42.560 --> 15:43.880 align:start
[foreign language], respect.

15:43.880 --> 15:47.970 align:start
Should we try it?

15:47.970 --> 15:49.270 align:start
>> Sure.

15:49.270 --> 15:50.570 align:start
>> Francie Latour: Okay.

15:50.570 --> 15:51.870 align:start
[Foreign language] okay.

15:51.870 --> 15:53.650 align:start
That was beautiful.

15:53.650 --> 16:01.940 align:start
Okay. "Auntie Luce's
Talking Paintings" stumbled

16:01.940 --> 16:05.680 align:start
into existence pretty
accidentally

16:05.680 --> 16:07.300 align:start
over a number of years.

16:07.300 --> 16:13.780 align:start
So it's a little
overwhelming to be here, and so,

16:13.780 --> 16:18.450 align:start
know that the thanks that
I am about to give comes

16:18.450 --> 16:20.650 align:start
from a very deep place.

16:20.650 --> 16:24.640 align:start
I want to thank the Consortium

16:24.640 --> 16:27.840 align:start
of Latin American
Studies Programs

16:27.840 --> 16:34.070 align:start
for recognizing this book, and
its story of Haitian culture,

16:34.070 --> 16:38.090 align:start
Haitian family, and
Haitian history.

16:38.090 --> 16:43.120 align:start
In recognizing work that
celebrates Caribbean as well

16:43.120 --> 16:45.980 align:start
as Latin American experience,

16:45.980 --> 16:50.980 align:start
the Americas Award honors
the unity and the complexity

16:50.980 --> 16:56.480 align:start
of our shared history as
descendants of West Africa,

16:56.480 --> 17:00.890 align:start
a powerful connection that
extends across language,

17:00.890 --> 17:09.270 align:start
across faith, across food ways,
across nations, across time.

17:09.270 --> 17:12.590 align:start
That makes this recognition
extremely special to me.

17:12.590 --> 17:19.510 align:start
I want to thank the Hispanic
Division of the Library

17:19.510 --> 17:26.190 align:start
of Congress, and especially
Suzanne and Dani, for creating

17:26.190 --> 17:30.370 align:start
such a warm, and
welcoming, and safe space

17:30.370 --> 17:34.340 align:start
for us all here today.

17:34.340 --> 17:40.590 align:start
I read recently that, of the
12 or so million holdings

17:40.590 --> 17:43.990 align:start
in the division's
Hispanic Reading Room,

17:43.990 --> 17:49.430 align:start
only about 2.5 million
are books.

17:49.430 --> 17:51.890 align:start
Among the many other
items is a collection

17:51.890 --> 17:57.630 align:start
of spoken-word recordings by
hundreds of poets and writers

17:57.630 --> 18:00.580 align:start
from across the Hispanic world

18:00.580 --> 18:04.440 align:start
and the Caribbean,
including Haiti.

18:04.440 --> 18:12.170 align:start
And so, we are surrounded by
the keepers of our stories here,

18:12.170 --> 18:15.670 align:start
whose voices connect
us and celebrate us

18:15.670 --> 18:20.600 align:start
through the written
and spoken word.

18:20.600 --> 18:24.990 align:start
I want to take just a moment
to thank the Librarian

18:24.990 --> 18:28.310 align:start
of Congress, Dr. Carla Hayden.

18:28.310 --> 18:34.910 align:start
As a black woman, there is
incredible meaning and power

18:34.910 --> 18:39.010 align:start
for me in being recognized here,

18:39.010 --> 18:42.980 align:start
inside the Thomas
Jefferson Building.

18:42.980 --> 18:45.270 align:start
Under the leadership
of a librarian

18:45.270 --> 18:49.170 align:start
who is not only the first
woman, and the first black woman

18:49.170 --> 18:55.600 align:start
to hold the post of Librarian of
Congress, but also the product

18:55.600 --> 18:59.380 align:start
of two cities that have
anchored black communities

18:59.380 --> 19:02.300 align:start
for generations, and
have produced some

19:02.300 --> 19:07.830 align:start
of the U.S.'s most important
leaders, visionaries,

19:07.830 --> 19:11.470 align:start
artists, and freedom fighters.

19:11.470 --> 19:14.830 align:start
Those would be Baltimore
and Chicago.

19:14.830 --> 19:25.450 align:start
I want to thank the author and
illustrator Duncan Tonatiuh

19:25.450 --> 19:30.780 align:start
for being Duncan
Tonatiuh [laughter].

19:30.780 --> 19:35.530 align:start
I am a huge, huge fan.

19:35.530 --> 19:39.660 align:start
One of the things that was
really hard about making

19:39.660 --> 19:43.310 align:start
"Auntie Luce's Talking
Paintings" was figuring out how

19:43.310 --> 19:48.030 align:start
to tell important truths,
and how to tell them in a way

19:48.030 --> 19:52.080 align:start
that would make kids
want to turn the page.

19:52.080 --> 19:57.520 align:start
All of Duncan's books do this
effortlessly with his words,

19:57.520 --> 20:00.660 align:start
and then with his own images.

20:00.660 --> 20:05.300 align:start
This is a superpower,

20:05.300 --> 20:08.590 align:start
and although I don't
have any standing

20:08.590 --> 20:12.710 align:start
with the Americas Award
committee, I would urge them

20:12.710 --> 20:17.080 align:start
to consider awarding
author/illustrator book creators

20:17.080 --> 20:24.390 align:start
with a cape in addition
to the awards themselves.

20:24.390 --> 20:30.400 align:start
Speaking of illustrators,
I want to thank the person

20:30.400 --> 20:33.310 align:start
who breathed stunning
life into the words

20:33.310 --> 20:36.810 align:start
of this book, Ken Daley.

20:36.810 --> 20:38.380 align:start
Whenever I catch a glimpse

20:38.380 --> 20:41.280 align:start
of "Auntie Luce's Talking
Paintings" in a bookstore,

20:41.280 --> 20:43.460 align:start
or I see stacks of them

20:43.460 --> 20:48.410 align:start
in a classroom visit,
I think two things.

20:48.410 --> 20:51.050 align:start
The first is, I have got

20:51.050 --> 20:53.820 align:start
to be the luckiest first-time
children's book writer

20:53.820 --> 20:58.580 align:start
in the history of first-time
children's book writers,

20:58.580 --> 21:02.840 align:start
because I was matched with
an illustrator whose heart is

21:02.840 --> 21:06.130 align:start
as authentic and
beautiful as the world

21:06.130 --> 21:10.290 align:start
of Auntie Luce that he created.

21:10.290 --> 21:15.350 align:start
The second thing I think is,
I'm about to be bum-rushed

21:15.350 --> 21:19.180 align:start
by a room full of kids whose
first question is always,

21:19.180 --> 21:21.580 align:start
"Did you paint the pictures
for this book [laughter]?"

21:21.580 --> 21:28.720 align:start
And I have to disappoint them
all again by telling them, "No,

21:28.720 --> 21:33.470 align:start
I only wrote the words."

21:33.470 --> 21:37.400 align:start
I was born in Philadelphia,
Pennsylvania,

21:37.400 --> 21:42.680 align:start
but I think of myself
as a daughter of Haiti.

21:42.680 --> 21:49.030 align:start
That means that I have a
very, very, very big family,

21:49.030 --> 21:54.480 align:start
too big to call by name here
today, but there are a few

21:54.480 --> 21:57.160 align:start
who are extremely
important to me to name.

21:57.160 --> 22:01.140 align:start
Because without them,
I would not be here,

22:01.140 --> 22:04.010 align:start
and "Auntie Luce's Talking
Paintings" could not have come

22:04.010 --> 22:07.130 align:start
into being.

22:07.130 --> 22:14.620 align:start
My mother, Marijit Belt
Noel Latour, my brother,

22:14.620 --> 22:21.990 align:start
Stefan Latour, my sister by
marriage, Michelle Latour,

22:21.990 --> 22:31.170 align:start
their daughter, my niece, Lauren
Alexandra Latour, my partner,

22:31.170 --> 22:38.160 align:start
and my greatest love, Wayne
Lake, my sister in all ways

22:38.160 --> 22:41.470 align:start
but blood, Tonya Nixon-Silberg
[assumed spellings].

22:41.470 --> 22:47.340 align:start
My Haitian heroes in the
here and now who continue

22:47.340 --> 22:53.330 align:start
to tell our story in all its
beauty with incredible love,

22:53.330 --> 22:59.320 align:start
and with the knowledge that love
without justice has no meaning.

22:59.320 --> 23:06.020 align:start
The writer, Idwich Nautica, the
choreographer, Jean Apollon,

23:06.020 --> 23:11.040 align:start
the linguist, Michele
de Graf, the champion

23:11.040 --> 23:16.340 align:start
of Haitian culture-makers,
and my cousin, Regine Woumay,

23:16.340 --> 23:23.970 align:start
and most important of all
of these, my children,

23:23.970 --> 23:28.710 align:start
Owen Sky Comiski,
Riley Rose Comiski,

23:28.710 --> 23:32.930 align:start
and Leo Satchel Comiski, to
whom Auntie Luce is dedicated

23:32.930 --> 23:34.230 align:start
[assumed spellings].

23:34.230 --> 23:39.530 align:start
So I brought the book up
to the podium with me,

23:39.530 --> 23:45.520 align:start
because I realized that as
many times as I've read it

23:45.520 --> 23:49.660 align:start
to audiences, I have never
actually read the author's note

23:49.660 --> 23:55.830 align:start
out loud to any audience, and
I spent a lot of time on it.

23:55.830 --> 24:02.410 align:start
So I thought I would read it
here, but before I do that,

24:02.410 --> 24:05.070 align:start
I wanted to just share
something that was on my mind

24:05.070 --> 24:08.520 align:start
on the plane here
yesterday morning,

24:08.520 --> 24:11.010 align:start
which is kind of related.

24:11.010 --> 24:17.450 align:start
I was thinking about my
kids, who were five, two,

24:17.450 --> 24:21.720 align:start
and one when the idea of
Auntie Luce first came about,

24:21.720 --> 24:29.770 align:start
and who are 14, 11, and 10 now.

24:29.770 --> 24:32.280 align:start
So when people ask me
to describe my kids,

24:32.280 --> 24:33.900 align:start
the first thing I usually say is

24:33.900 --> 24:39.050 align:start
that they are incredibly
tight, and that's true.

24:39.050 --> 24:45.320 align:start
They have always been, and it's
also true that two brothers

24:45.320 --> 24:49.230 align:start
and a middle sister who
are incredibly tight can

24:49.230 --> 24:52.310 align:start
occasionally get
incredibly annoyed

24:52.310 --> 24:57.470 align:start
with each other, occasionally.

24:57.470 --> 25:00.420 align:start
Like all kids, Owen, Riley,

25:00.420 --> 25:03.220 align:start
and Leo have an extremely
sensitive radar

25:03.220 --> 25:08.750 align:start
to what feels fair, and
what doesn't feel fair.

25:08.750 --> 25:12.510 align:start
A lot gets picked
up by that radar.

25:12.510 --> 25:14.270 align:start
Who's holding the remote?

25:14.270 --> 25:17.180 align:start
Who gets to ride
shotgun in the car?

25:17.180 --> 25:21.350 align:start
Who does the most
chores, and so on --

25:21.350 --> 25:24.320 align:start
they fight, and they forgive.

25:24.320 --> 25:29.790 align:start
But for a long time, actually,
there was one specific cause

25:29.790 --> 25:33.050 align:start
of fighting that seemed
harder to forgive or get

25:33.050 --> 25:39.120 align:start
over than almost anything else,
something that brought wailing,

25:39.120 --> 25:42.760 align:start
and hot tears, and
long, bitter grudges.

25:42.760 --> 25:49.910 align:start
And that was when one of them
told me another one's story.

25:49.910 --> 25:55.770 align:start
It could be the story of a split
lip from a spectacular fall

25:55.770 --> 26:00.550 align:start
at recess, or it could be
the story of the turtle one

26:00.550 --> 26:03.250 align:start
of them found in the road.

26:03.250 --> 26:06.520 align:start
But if something memorable
happened to one of them

26:06.520 --> 26:10.240 align:start
when I wasn't there, and
their brother or sister got

26:10.240 --> 26:15.360 align:start
to me first and blurted it out,

26:15.360 --> 26:19.500 align:start
all hell would break
loose [laughter].

26:19.500 --> 26:22.830 align:start
Why did you do that?

26:22.830 --> 26:29.650 align:start
That wasn't your story to tell.

26:29.650 --> 26:33.520 align:start
To my kids, taking someone
else's story and telling it

26:33.520 --> 26:38.280 align:start
as if it were your own
is a terrible betrayal.

26:38.280 --> 26:42.550 align:start
A remote control
can be given back.

26:42.550 --> 26:48.620 align:start
Chores can be re-balanced,
but you can't reverse time

26:48.620 --> 26:54.440 align:start
and un-tell a story, and
you can't undo the crime

26:54.440 --> 26:58.000 align:start
of being the first to have told
it to someone who wasn't there.

26:58.000 --> 27:02.720 align:start
In "Auntie Luce's
Talking Paintings,"

27:02.720 --> 27:04.020 align:start
we meet Tishou [assumed
spelling],

27:04.020 --> 27:07.500 align:start
a Haitian-American
girl who flies to Haiti

27:07.500 --> 27:11.190 align:start
to visit her aunt, a painter.

27:11.190 --> 27:14.400 align:start
Through her aunt's brush,
the girl looks into the faces

27:14.400 --> 27:19.800 align:start
of Haiti's heroes and begins
to trace her own history,

27:19.800 --> 27:26.150 align:start
to see herself in a new way,
to find where she belongs.

27:26.150 --> 27:29.680 align:start
The story mirrors
a common reality

27:29.680 --> 27:34.190 align:start
of hyphenated American
identity, the journey back

27:34.190 --> 27:40.430 align:start
to an ancestral homeland, often
from a young age, as my brother

27:40.430 --> 27:44.770 align:start
and I did, as families
yearn to bridge divides

27:44.770 --> 27:48.690 align:start
that are physical,
cultural, and generational.

27:48.690 --> 27:57.060 align:start
In this moment, here, today,
stories like those recognized

27:57.060 --> 28:02.460 align:start
by the Americas Award
carry a special urgency.

28:02.460 --> 28:07.510 align:start
For immigrants and all
people of color whose safety

28:07.510 --> 28:11.440 align:start
and dignity is under attach,

28:11.440 --> 28:15.760 align:start
storytelling affirms
our humanity.

28:15.760 --> 28:23.560 align:start
It grounds us in our brilliance,
and it is a powerful counter

28:23.560 --> 28:27.480 align:start
to the voices of others who
have tried to tell our stories,

28:27.480 --> 28:31.990 align:start
who have tried to tell
the world who we are

28:31.990 --> 28:36.190 align:start
without our experience,
and without our permission.

28:36.190 --> 28:41.160 align:start
It is not their story to tell.

28:41.160 --> 28:46.020 align:start
It is our story to tell.

28:46.020 --> 28:53.100 align:start
So I'll just read the
author's note here.

28:53.100 --> 28:56.440 align:start
"We all have birth stories.

28:56.440 --> 28:59.690 align:start
In my family, we
tell them often.

28:59.690 --> 29:05.080 align:start
My brother, the miracle baby,
born so early he wasn't expected

29:05.080 --> 29:10.760 align:start
to survive, much less to
thrive at six feet tall.

29:10.760 --> 29:14.880 align:start
My daughter, the
daredevil, who could not wait

29:14.880 --> 29:18.890 align:start
to meet the world, and
shot out like a cannon,

29:18.890 --> 29:24.960 align:start
with people to see, places
to go, and things to do.

29:24.960 --> 29:28.450 align:start
Nations have birth stories, too.

29:28.450 --> 29:31.750 align:start
Although few people would
know it, the two countries

29:31.750 --> 29:34.290 align:start
at the heart of Tishou's
[assumed spelling] world,

29:34.290 --> 29:38.190 align:start
Haiti and the United
States, were both born

29:38.190 --> 29:42.590 align:start
from the same fire,
revolutions for freedom

29:42.590 --> 29:45.990 align:start
that changed the world.

29:45.990 --> 29:50.660 align:start
Only one of these revolutions
is taught in school,

29:50.660 --> 29:54.730 align:start
a band of colonies that
overthrew British rule,

29:54.730 --> 29:59.590 align:start
a heroic general named
Washington, and a new nation

29:59.590 --> 30:04.730 align:start
of free citizens we
now call America.

30:04.730 --> 30:08.630 align:start
But just a few years later,
and a little farther south,

30:08.630 --> 30:13.330 align:start
a band of rebels on an island
called Saint Domingue also

30:13.330 --> 30:17.220 align:start
defeated a powerful
European ruler.

30:17.220 --> 30:21.330 align:start
They, too, had a heroic
general named Louverture,

30:21.330 --> 30:26.710 align:start
and a declaration of
independence from France

30:26.710 --> 30:28.980 align:start
under the Emperor Napoleon.

30:28.980 --> 30:35.130 align:start
When these rebels birthed a
nation and called it Haiti,

30:35.130 --> 30:37.500 align:start
the whole world paid attention.

30:37.500 --> 30:45.740 align:start
Why? Because these new
citizens who beat the French,

30:45.740 --> 30:53.090 align:start
the Spanish, the British, were
black, descended from Africans

30:53.090 --> 30:55.450 align:start
who were forced across an ocean

30:55.450 --> 30:59.590 align:start
and into an inhuman
system of slavery.

30:59.590 --> 31:06.050 align:start
The Haitian Revolution did more
than overthrow a government.

31:06.050 --> 31:12.050 align:start
It overthrew an idea, one that
Europeans invented and had

31:12.050 --> 31:18.200 align:start
to protect to keep slavery
going, that they were white,

31:18.200 --> 31:20.840 align:start
that Africans were black,

31:20.840 --> 31:25.250 align:start
and that blacks were
somehow inferior,

31:25.250 --> 31:27.830 align:start
less human, or not human at all.

31:27.830 --> 31:33.700 align:start
As long as this idea
stayed in place, Europeans

31:33.700 --> 31:37.360 align:start
and Americans could use
the forced labor of others

31:37.360 --> 31:41.120 align:start
to become wealthy world powers.

31:41.120 --> 31:44.850 align:start
They could write birth stories
of freedom and democracy

31:44.850 --> 31:48.660 align:start
in our history books,
despite keeping generations

31:48.660 --> 31:51.100 align:start
of black people in chains.

31:51.100 --> 31:58.450 align:start
For proving these ideas wrong,
Haiti would be punished.

31:58.450 --> 32:02.340 align:start
From the moment this
black republic was born,

32:02.340 --> 32:06.640 align:start
it was totally alone
in the world.

32:06.640 --> 32:09.260 align:start
No country would trade with it,

32:09.260 --> 32:13.240 align:start
or even recognize
it as a nation.

32:13.240 --> 32:17.870 align:start
To get that recognition,
Haiti had to sign a deal

32:17.870 --> 32:21.050 align:start
that guaranteed a
future of poverty.

32:21.050 --> 32:27.090 align:start
It was forced to pay hundreds
of millions to the French

32:27.090 --> 32:31.130 align:start
for the property
they lost in war,

32:31.130 --> 32:35.320 align:start
an amount that today is
worth about $20 billion.

32:35.320 --> 32:42.340 align:start
That lost property included
Haitians' very own bodies,

32:42.340 --> 32:44.550 align:start
which the French believed
they had a right to own.

32:44.550 --> 32:51.280 align:start
Growing up, the only stories I
heard about Haiti in school were

32:51.280 --> 32:56.720 align:start
that it was violent and poor,
one of the poorest countries

32:56.720 --> 33:02.290 align:start
on Earth, and this is why
knowing our birth stories is

33:02.290 --> 33:10.190 align:start
so important to understanding
the world and each other."

33:10.190 --> 33:11.990 align:start
Thank you.

33:11.990 --> 33:32.140 align:start
[ Applause ]

33:32.140 --> 33:33.490 align:start
>> Connie Sharp: Good afternoon.

33:33.490 --> 33:36.650 align:start
My name is Connie Sharp,
and I'm a district librarian

33:36.650 --> 33:39.300 align:start
with Metro Nashville
Public Schools.

33:39.300 --> 33:41.930 align:start
I am honored to serve as
a review committee member,

33:41.930 --> 33:44.970 align:start
and excited to be
with you today.

33:44.970 --> 33:48.070 align:start
It is my great pleasure
to recognize the winners

33:48.070 --> 33:51.210 align:start
of the 2019 Americas Award.

33:51.210 --> 33:55.700 align:start
The first book I would like
to recognize is "Islandborn,"

33:55.700 --> 34:00.410 align:start
written by Junot Diaz and
illustrated by Leo Espinoza.

34:00.410 --> 34:03.500 align:start
This heartwarming debut
picture book captured our hearts

34:03.500 --> 34:06.560 align:start
as we learned the
story of young Lola.

34:06.560 --> 34:08.930 align:start
Lola was given a class
assignment to draw a picture

34:08.930 --> 34:11.770 align:start
of the country she
was originally from.

34:11.770 --> 34:14.980 align:start
As her classmates became
excited, she struggled

34:14.980 --> 34:16.990 align:start
to remember what her
country was like.

34:16.990 --> 34:21.340 align:start
Through the experiences
and stories of her family

34:21.340 --> 34:24.950 align:start
and neighbors, she took an
extraordinary imaginative

34:24.950 --> 34:26.680 align:start
journey back to the island,

34:26.680 --> 34:28.720 align:start
and is able to create
a vivid picture

34:28.720 --> 34:31.390 align:start
of the culture she left behind.

34:31.390 --> 34:34.530 align:start
Although they were not able to
be with us today, please join me

34:34.530 --> 34:36.950 align:start
in congratulating
author Junot Diaz

34:36.950 --> 34:41.510 align:start
and illustrator Leo
Espinoza for "Islandborn."

34:41.510 --> 34:49.710 align:start
[ Applause ]

34:49.710 --> 34:54.300 align:start
Our next 2019 Americas
Award goes to "Undocumented,

34:54.300 --> 34:59.380 align:start
a Worker's Fight," written and
illustrated by Duncan Tonatiuh.

34:59.380 --> 35:01.960 align:start
This powerful story
shares the journey of Juan,

35:01.960 --> 35:04.870 align:start
an undocumented worker who
travels to the United States

35:04.870 --> 35:08.470 align:start
in order to find employment
to help support his family.

35:08.470 --> 35:10.590 align:start
After finding a job
in a restaurant,

35:10.590 --> 35:14.010 align:start
he faces unfair treatment,
low wages,

35:14.010 --> 35:16.250 align:start
and the fear of exploitation.

35:16.250 --> 35:19.870 align:start
He works tirelessly for his
rights and the rights of all

35:19.870 --> 35:22.020 align:start
in that same situation.

35:22.020 --> 35:27.130 align:start
This timely story is
important and relevant today.

35:27.130 --> 35:29.670 align:start
"Undocumented" is
masterfully crafted

35:29.670 --> 35:32.480 align:start
into an accordion-fold
format similar to that

35:32.480 --> 35:36.790 align:start
of the ancient Mixtec Codex,
and will bring enjoyment

35:36.790 --> 35:38.170 align:start
to readers everywhere.

35:38.170 --> 35:42.510 align:start
At this time, please join me in
congratulating Duncan Tonatiuh.

35:42.510 --> 36:05.260 align:start
[ Applause ]

36:05.260 --> 36:06.820 align:start
>> Duncan Tonatiuh: Good
afternoon, [foreign language].

36:06.820 --> 36:11.050 align:start
Thank you everyone for having
me here, for being here.

36:11.050 --> 36:14.490 align:start
It's very special to be here.

36:14.490 --> 36:16.810 align:start
I'm very happy for
all the support,

36:16.810 --> 36:19.790 align:start
all the love towards my
work, towards my book.

36:19.790 --> 36:25.090 align:start
I want to thank CLASP
for supporting my book,

36:25.090 --> 36:26.500 align:start
for supporting my work.

36:26.500 --> 36:32.400 align:start
I think the Americas Award
is a very special award,

36:32.400 --> 36:33.730 align:start
and one of the things
that I want to say

36:33.730 --> 36:35.520 align:start
about the Americas Award is

36:35.520 --> 36:37.660 align:start
that they do a wonderful
job creating a lot

36:37.660 --> 36:40.640 align:start
of educator's guides,
a lot of resources

36:40.640 --> 36:44.280 align:start
so that teachers can use
these books in the classroom.

36:44.280 --> 36:47.130 align:start
They create this wonderful
commended list of books,

36:47.130 --> 36:50.630 align:start
so it's not only the
books that win the award,

36:50.630 --> 36:53.900 align:start
but it's also other books
that can serve in schools.

36:53.900 --> 36:57.730 align:start
And so, I -- if you're
an educator,

36:57.730 --> 37:00.590 align:start
I definitely invite you to visit
their website, and to check

37:00.590 --> 37:02.270 align:start
out some of the resources
that are there.

37:02.270 --> 37:05.730 align:start
They have created some amazing
guides and resources for some

37:05.730 --> 37:08.150 align:start
of my books, but for
many of the other books

37:08.150 --> 37:10.490 align:start
that have been honored
by the award.

37:10.490 --> 37:13.130 align:start
And I think it's just a
really wonderful thing,

37:13.130 --> 37:14.470 align:start
and a really great resource.

37:14.470 --> 37:17.670 align:start
And I always try and -- when I'm
invited to talk to librarians

37:17.670 --> 37:20.030 align:start
or teachers, I always
mention it to them,

37:20.030 --> 37:22.060 align:start
because I think it's
really wonderful.

37:22.060 --> 37:26.820 align:start
And I definitely want to thank
my publisher, Abrams, who --

37:26.820 --> 37:32.000 align:start
I've been working with the
same editor for 10 years now,

37:32.000 --> 37:33.870 align:start
with Howard Reeves
[assumed spelling],

37:33.870 --> 37:36.800 align:start
and we had a very
good relationship,

37:36.800 --> 37:39.690 align:start
and they've always been very
supportive of my work there.

37:39.690 --> 37:42.370 align:start
The different people in the
different departments --

37:42.370 --> 37:45.710 align:start
Pam, who did the design of the
book, Jenny [assumed spellings],

37:45.710 --> 37:48.180 align:start
and other people in marketing
and sales who have just --

37:48.180 --> 37:51.170 align:start
have always been very
welcoming towards me,

37:51.170 --> 37:54.000 align:start
and have really helped
the book succeed,

37:54.000 --> 37:56.250 align:start
get it out there
so people see it.

37:56.250 --> 38:04.440 align:start
To my family, my wife, my kids,
you know, who just fill me

38:04.440 --> 38:08.700 align:start
with joy and happiness, and with
purpose, with determination,

38:08.700 --> 38:15.100 align:start
and about the book, I
want to say a few things.

38:15.100 --> 38:17.060 align:start
You know, the book is
called "Undocumented."

38:17.060 --> 38:19.830 align:start
You know, it's --
the main character

38:19.830 --> 38:23.050 align:start
in the story does not have
the property documentation,

38:23.050 --> 38:25.510 align:start
the proper papers to be in the
United States, so that's one

38:25.510 --> 38:27.400 align:start
of the reasons it's
called "Undocumented."

38:27.400 --> 38:33.240 align:start
But I also thought it was a
good title because the stories

38:33.240 --> 38:36.160 align:start
of working people,
especially people

38:36.160 --> 38:38.110 align:start
in low-income jobs,
are not often told.

38:38.110 --> 38:39.410 align:start
They're not often covered.

38:39.410 --> 38:41.200 align:start
It's not something
that we discuss enough.

38:41.200 --> 38:44.170 align:start
So in that sense, I thought
they're not documented.

38:44.170 --> 38:46.240 align:start
So I thought it was -- you know,
it's sort of like the opposite

38:46.240 --> 38:48.370 align:start
of a documentary is
something that's undocumented.

38:48.370 --> 38:52.340 align:start
So that was another reason
for calling the story that.

38:52.340 --> 38:57.010 align:start
At the end of the book, I have
an author's note, and in it,

38:57.010 --> 39:01.030 align:start
I -- you know, I share
different statistics.

39:01.030 --> 39:05.880 align:start
I think it's about -- I
think there's eight million

39:05.880 --> 39:09.310 align:start
undocumented workers
in the U.S., and --

39:09.310 --> 39:13.730 align:start
so that makes it about
one in every 20 workers

39:13.730 --> 39:16.050 align:start
in the U.S. is an
undocumented person.

39:16.050 --> 39:18.730 align:start
And because of their
undocumented status, they are --

39:18.730 --> 39:21.800 align:start
you know, for fear
of deportation,

39:21.800 --> 39:23.480 align:start
they're often exploited.

39:23.480 --> 39:28.220 align:start
You know, they tend to work
in, you know, construction,

39:28.220 --> 39:33.990 align:start
the service industry, and in
agriculture, paid very poorly,

39:33.990 --> 39:42.080 align:start
work long hours, and -- but,
you know -- and so, obviously,

39:42.080 --> 39:44.360 align:start
I don't think it's right
that that is happening.

39:44.360 --> 39:47.590 align:start
But what I try and mention
in this author's note is

39:47.590 --> 39:51.430 align:start
that that's bad for them,
but it's bad for everyone.

39:51.430 --> 39:55.060 align:start
Because I think that
affects the conditions

39:55.060 --> 39:56.540 align:start
of all working people.

39:56.540 --> 39:58.720 align:start
So I think that when
a group is exploited,

39:58.720 --> 40:02.230 align:start
and is able to be abused
like that, then it makes it

40:02.230 --> 40:06.450 align:start
so that the working conditions
for everyone deteriorate.

40:06.450 --> 40:08.780 align:start
The people have to -- long
work hours, get paid less,

40:08.780 --> 40:11.740 align:start
have less opportunities to
organize, to be compensated

40:11.740 --> 40:13.470 align:start
when they have a
problem at their job.

40:13.470 --> 40:15.530 align:start
And so, that was a --

40:15.530 --> 40:20.700 align:start
that's just something that I
hope people get out of the book.

40:20.700 --> 40:24.310 align:start
You know, people say
that the book is timely,

40:24.310 --> 40:25.950 align:start
and I think this issue

40:25.950 --> 40:27.670 align:start
of immigration is
definitely very much

40:27.670 --> 40:28.970 align:start
in the news these days.

40:28.970 --> 40:32.820 align:start
You know, and, you know,
we all hear about the --

40:32.820 --> 40:35.160 align:start
about what's going on
in the border, you know,

40:35.160 --> 40:37.980 align:start
and just the awful
situation there,

40:37.980 --> 40:39.820 align:start
the cruel treatment
towards children,

40:39.820 --> 40:42.580 align:start
towards migrants
that is happening.

40:42.580 --> 40:45.340 align:start
And so, you know, even
though the book is something

40:45.340 --> 40:49.440 align:start
that I started working on 10
years ago, it was relevant then,

40:49.440 --> 40:51.730 align:start
and it's definitely
very relevant now.

40:51.730 --> 40:53.810 align:start
But also, just wanted to point

40:53.810 --> 40:58.450 align:start
out that I think it's also
relevant in other ways, too.

40:58.450 --> 41:00.050 align:start
You know, today, there was --

41:00.050 --> 41:03.610 align:start
for example, the
Chicago teachers decided

41:03.610 --> 41:04.910 align:start
that they're going on strike.

41:04.910 --> 41:06.210 align:start
You know, there's a strike

41:06.210 --> 41:08.640 align:start
of auto workers,
the GM auto workers.

41:08.640 --> 41:12.110 align:start
There were more climate
change strikes today.

41:12.110 --> 41:13.860 align:start
You know, and so I
think that this idea

41:13.860 --> 41:18.150 align:start
of organizing is something
very important, you know,

41:18.150 --> 41:23.050 align:start
of protesting, of people not --
of standing up against abuse,

41:23.050 --> 41:29.110 align:start
and of just trying to improve
their situation somehow.

41:29.110 --> 41:35.660 align:start
So that's something else
that I hope the book shares

41:35.660 --> 41:37.100 align:start
with people, that
that's something else

41:37.100 --> 41:39.800 align:start
that people get out of it.

41:39.800 --> 41:45.130 align:start
The book is very personal to
me in a professional sense,

41:45.130 --> 41:47.230 align:start
and I'll speak a little
bit more about that

41:47.230 --> 41:48.800 align:start
when we do the workshop after.

41:48.800 --> 41:51.630 align:start
But it's definitely -- it's
the book that led me to --

41:51.630 --> 41:54.050 align:start
I have a very distinctive
way of drawing,

41:54.050 --> 41:56.410 align:start
very much inspired
by pre-Columbian art.

41:56.410 --> 42:00.050 align:start
And it was this project
-- this began as my --

42:00.050 --> 42:02.960 align:start
what is now a book first began
as my senior project when I was

42:02.960 --> 42:06.290 align:start
in university, and that's
what led me to kind of come

42:06.290 --> 42:07.810 align:start
up with this illustration style.

42:07.810 --> 42:11.830 align:start
And I'll talk a little bit
more about that later, and try

42:11.830 --> 42:15.770 align:start
and show some images, so
it's a little bit more clear.

42:15.770 --> 42:17.900 align:start
And it's also the book
that put me on this path

42:17.900 --> 42:20.360 align:start
of becoming a published
author, a published illustrator.

42:20.360 --> 42:25.050 align:start
So it's very dear
to me, and it's sort

42:25.050 --> 42:28.240 align:start
of a very full-circle moment, so
to speak, you know, to something

42:28.240 --> 42:31.670 align:start
that I wasn't able to publish
when I first worked on it more

42:31.670 --> 42:34.940 align:start
than 10 years ago, to now have
it published and be recognized

42:34.940 --> 42:37.380 align:start
for it is very special to me.

42:37.380 --> 42:38.680 align:start
And so, I just want to say

42:38.680 --> 42:41.940 align:start
that I'm very grateful,
and very thankful.

42:41.940 --> 42:43.740 align:start
Thank you.

42:43.740 --> 42:56.660 align:start
[ Applause ]

42:56.660 --> 42:58.190 align:start
>> Denise Woltering-Vargas:
We'd actually like you to stay,

42:58.190 --> 43:03.130 align:start
and we're going to do our
tradition of gifting a weaving,

43:03.130 --> 43:06.580 align:start
which represents the
weaving of telling stories,

43:06.580 --> 43:08.420 align:start
the gift that you
have, and we'd also

43:08.420 --> 43:11.960 align:start
like to have Francie come up.

43:11.960 --> 43:15.240 align:start
This is a tradition started
by the founder of the award.

43:15.240 --> 43:18.950 align:start
These weavings are
brought to us by --

43:18.950 --> 43:22.360 align:start
Tulane University has a
Kaqchikel Maya language scholar,

43:22.360 --> 43:25.760 align:start
a program, and she
brings these each year

43:25.760 --> 43:29.190 align:start
for our Americas Award
authors and illustrators.

43:29.190 --> 43:32.510 align:start
So we will be giving you
each one of our weavings.

43:32.510 --> 43:33.810 align:start
So here. Thank you so much.

43:33.810 --> 43:35.610 align:start
>> Duncan Tonatiuh: Thank
you, thank you thank you.

43:35.610 --> 43:49.140 align:start
[ Applause ]

43:49.140 --> 43:50.440 align:start
>> Colleen McCoy: Hi, everyone.

43:50.440 --> 43:52.500 align:start
My name is Colleen McCoy,
and I'm the co-coordinator,

43:52.500 --> 43:54.920 align:start
along with Denise, of
the Americas Award.

43:54.920 --> 43:57.570 align:start
Just wanted to say thank
you again to the Library

43:57.570 --> 44:00.630 align:start
of Congress, to Suzanne
Schadl, Dani Thurber,

44:00.630 --> 44:03.140 align:start
and the Hispanic
Division, to the founder

44:03.140 --> 44:05.690 align:start
of the Americas Award,
Julie Kline,

44:05.690 --> 44:08.580 align:start
and to all of the authors,
illustrators, and publishers

44:08.580 --> 44:11.050 align:start
who submitted to
this year's award.

44:11.050 --> 44:13.780 align:start
Thank you to the Consortium of
Latin American Studies Programs,

44:13.780 --> 44:15.500 align:start
and to all of this
year's sponsor.

44:15.500 --> 44:19.100 align:start
And thank you to the
phenomenal review committee,

44:19.100 --> 44:22.640 align:start
with a special thanks to
committee chair David Campos.

44:22.640 --> 44:25.150 align:start
This committee was
incredibly meticulous

44:25.150 --> 44:28.540 align:start
and thoughtful during the
entire review process,

44:28.540 --> 44:31.400 align:start
and we couldn't be more
grateful to each of you.

44:31.400 --> 44:33.630 align:start
Now, as Duncan mentioned
earlier,

44:33.630 --> 44:37.090 align:start
the Americas Award is not
just a children's book award,

44:37.090 --> 44:39.790 align:start
but also represents a
variety of resources

44:39.790 --> 44:42.140 align:start
for teachers and librarians.

44:42.140 --> 44:45.260 align:start
The CLASP website,
claspprograms.org,

44:45.260 --> 44:48.230 align:start
which is listed in your
program, holds a collection

44:48.230 --> 44:51.840 align:start
of open-access resources
for teachers, librarians,

44:51.840 --> 44:53.910 align:start
and outreach professionals.

44:53.910 --> 44:57.810 align:start
This includes educator guides
to accompany recognized titles,

44:57.810 --> 45:00.790 align:start
as well as a comprehensive
toolkit full

45:00.790 --> 45:04.890 align:start
of classroom activities,
curriculum, ideas for workshops

45:04.890 --> 45:07.610 align:start
and ideas, and other
suggestions for engaging

45:07.610 --> 45:09.540 align:start
with the Americas Award.

45:09.540 --> 45:13.510 align:start
Thank you all for coming, and
we look forward to next year.

45:13.510 --> 45:19.840 align:start
[ Applause ]
