WEBVTT

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>> In memory of Dick Robinson,
and sponsored by the Institute

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of Museum and Library Services.

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>> Monica Valentine:
Good afternoon.

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I'm Monica Valentine, Program
Specialist of the Library

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of Congress, and I'm here
today with Derrick Barnes.

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Good afternoon, Derek, and
welcome to the 2021 Library

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of Congress National
Book Festival.

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>> Derrick Barnes: Hey, hey.

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Good afternoon.

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How you doing?

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>> Monica Valentine:
I'm doing great.

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Looking forward to our
conversation today.

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For our audience, welcome.

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You can check out our
video-on-demand sessions,

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particularly the one

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with Derrick Barnes
at loc.gov/bookfest.

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This time is primarily for
you and your questions.

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We have up to 30 minutes.

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I have a few questions
for Derek to start us off,

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but it's really your time.

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We'll go as long as we can to
answer all of your questions.

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All right, so Derek, if
you're ready, we can begin.

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>> Derrick Barnes: Great.

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>> Monica Valentine: All right,

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so in the video you recorded
earlier for the festival,

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you mentioned a retail ad

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that you thought sent the
wrong message about black boys.

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You said that it inspired
I Am Every Good Thing,

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and all of your books seem

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to have a really positive
message about black boys.

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Can you tell us why
that's important to you?

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>> Derrick Barnes: Yeah.

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That ad was a clothing ad,
and it was a international ad.

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I don't even think
it ran in The States,

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but it was from the company
H&amp;M, and they have boys

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of different nationalities
and the little African boy,

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I think he was maybe around
10, maybe 10 years of age,

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his shirt said the coolest
monkey in the jungle,

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and I always try to
explain to children

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when I do school visits, you
know, when you study the history

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of this country in regards to,
you know, marketing, literature,

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you know, it was very --

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you know, we have a very dark
history in regards to, you know,

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the racial, you know,
epitats and stereotypes,

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and one of the very, you
know, derogatory names

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that black people
were called were apes,

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monkeys, you know, simian.

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So, in this modern day
age, you know, in this --

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for that huge cooperation, to
not have anybody in the room

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to squash that idea, was
just crazy, you know?

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I thought about my sons.

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I have four beautiful
black boys.

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Ezra is 20.

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Solo is 17.

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Silas, who's the cover boy for
Crown is 15, and Nnamdi is 10,

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four totally different
personalities.

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I put so -- you know, my wife
and I have put so much love

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and energy into these boys to
go out into the world to be,

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you know, not only productive
citizens, but it's a term we use

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in the house, you know, to be a
difference maker, and it's one

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of the terms I use in the book.

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So, you know, if
someone is not, you know,

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doesn't have the luxury
or is not blessed enough

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to have a black boy in
their immediate environment,

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they are probably more apt to
go off of these stereotypes,

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you know, and that's one
thing that we have to squash,

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and I feel like, my job as
not only a black male author,

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but a father, black husband,
a black son, a black brother,

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as a artist, I have
a obligation.

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If I'm making books for black
children, it shouldn't have

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to be this way, but it is what
it is, you know what I mean.

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I have a obligation to make sure
that every time I write a book

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or I create a character,
or I tell a story,

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that I'm putting black children,
black and brown children

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in the most positive
light that I possibly can

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to counter these negative
images that we still have

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in American pop culture,
and even, you know,

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international pop culture.

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>> Monica Valentine:
Right, right.

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So you just mentioned your sons
and that leads me to a question,

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do the mighty Barnes brothers
ever review your drafts

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when you write and
what role do they play

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in your writing process, if any?

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>> Derrick Barnes:
Most definitely.

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You know, as they've
gotten older,

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I'm writing more middle grade
novels and graphic novels.

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The books I'm probably most
famous for are, you know,

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picture books, which are really
just poems that, you know,

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have been condensed

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and of course added this
beautiful illustrations

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from Vanessa Brantley
Newton and Gordon James

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who did I Am Every Good Thing
and he illustrated Crown.

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Shout out to Gordon.

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So when they were younger, it
was a little bit easier for me

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to get a thumbs up from
them, but you know,

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as long as they've been alive,

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that's the only thing they know
me as, as a author, as a writer,

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poet, so now that I'm
writing for older children,

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they give me a thumbs up
in regards to the language,

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in regards to the dialogue,
which is so important, you know,

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not in regards to slang or
keeping up with the, you know,

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current dialogue that kids are
using, but it's very important

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that the dialogue between
characters are, you know,

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really believable, and real,
and it really helps to have a 15

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and a 17 year old in the house

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that I can bounce my
characters off of,

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bounce my dialogue off
of, and my wife kind

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of helps me now with the poetry.

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You know, she reads
everything that I may finish,

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partly because I just
love hearing her voice,

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and I love hearing her
read my work, you know,

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so this is like a cooperation
we got here, you know?

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This is a family
business in a sense,

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and I'm so grateful [inaudible].

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>> Monica Valentine: Yeah,

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I love to hear the
whole family's involved,

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so you talked a little
bit about dialogue.

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Maria M. has a question
about illustrations.

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She says the illustrations
in your book are gorgeous.

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What is your process working
with your illustrator?

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Do you have much input
in creating them?

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>> Derrick Barnes: You know,
when you first start out,

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you don't have a lot of input.

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The publishing company actually
picks who the illustrators are,

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but once you've had a little
bit of success, you get a say

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so in you may want to
work with and, you know,

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the whole process is you
don't really interact

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with the illustrator.

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They give the illustrator
the manuscript,

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and the illustrator does their
own interpretation of the text

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and of the story, but now that
I have a little bit of clout,

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I don't really work like that.

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I'm a very personable
person, so as soon as I --

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as soon as we've landed a
deal for a picture book,

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I already have in my mind
who I want to work with,

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what I want the images to look
like, and as soon as we're able

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to land that illustrator, I
want to give them a phone call,

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and I want to have
a conversation

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with them about what I see.

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Now, they may use
everything that I give them,

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or they may not use anything
that I tell them, you know,

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at all but, I'm not
just an author.

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I see myself -- I mean, you
know, I like to see myself work

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through the whole
creative process.

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Like, I have an idea about how
I want the characters to look,

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certain scenes in the book
I wish to be illustrated,

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and I'm not a bossy
kind of author,

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but I think it's important.

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I also think it's helpful
to get that information

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to the illustrator early on,
and then I just leave them alone

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and let them do their thing.

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Now there's some illustrators
who want that input,

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and there are some illustrators
who don't want to hear

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from the author at all.

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They just want to do their
own thing, but again,

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I don't really work like that.

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You may not want to hear from
me, but you're going to hear

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from me, and I think
it can't do anything

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but help the illustrator just
as long as I'm not impeding

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on their, you know,
creative process,

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which I never want to do.

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>> Monica Valentine:
Right, right.

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So I see like to be involved
with the whole concept

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from the beginning to the end.

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>> Derrick Barnes: Yes, yes.

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>> Monica Valentine: All
right, so interesting.

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We have a question
from Maria M. She says

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that her six year old daughter
actually has the question

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for you.

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Who is your hero?

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>> Derrick Barnes: Oh,
man, my heroes are my sons.

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You know, it's something.

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You see these little
people enter into the world,

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and you have to do everything
for them, fend for them,

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feed them, clothe
and bathe them,

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and then one day they
become their own person,

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and they start accomplishing
things and achieving things

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that either you could have
never seen yourself, you know,

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accomplish, and they
go places and,

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and places that you've
never gone before,

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and they've achieved things that
you've never achieved before,

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and it's [inaudible], you know,
I want to impress them as much

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as I'm sure they
want to impress,

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you know, my wife and I.

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Their opinions me a lot
to me, so does my wife.

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I want them to be proud of me.

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I want my sons to be just as
proud of me as I am of them.

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I want my wife to be
proud to be married

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to me, you know what I mean?

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So I guess it's my family, but
most of all, my sons, you know,

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just see these guys launch,
to see my 20 year old go

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out into the world
and, you know,

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become a mechanical engineer
and my second eldest boy,

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he's one of the best football
players in this entire state,

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and he has business, you
know, aspirations and my,

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the cover boy, the
Crown, Nestle Snipes.

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We call him Nestle Snipes.

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His name is Silas, but he wants
to become a respiratory surgeon

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and Nnamdi, you know, he's
doing great things now,

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excellent student and he's
glad he's back in school,

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and you know, these
guys motivating me

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to be a better father
and a better person,

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and they always lift me up just
by just being who they are,

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and I'm always get, you
know, kind of emotional

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when I talk about my sons.

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I'm just extremely
proud of them.

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>> Monica Valentine: Oh, no, no,

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it's fine for you
to get emotional.

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That's a lovely answer.

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You have mentioned that
Langston Hughes is one

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of your literary heroes, and --

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>> Derrick Barnes: Yes.

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>> Monica Valentine: --

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I'm wondering if you'd want
to talk a little bit about him

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as a hero to you, and then
also, are there other writers

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or non-writers that have been
influential in your work?

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>> Derrick Barnes: Yeah,
Langston, I was proud of one

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of my homeboys because
he's from Missouri.

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You know, we're both
from Missouri.

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I'm from Kansas City,
and he was the first poet

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that I think I fell
in love with his work.

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I fell in love mostly, first of
all, I think in the fifth grade.

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My teacher Ms. Shelby
introduced me to his work

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because I was really
falling in love

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with hip hop music at the time.

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That was in the mid-'80s, so
I was listening to LL Cool J,

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Run DMC, EPMD, Eric
B. and Rakim,

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and those guys were poets to me.

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Again, I come from a
very musical household.

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My mother had a huge, you
know, album collection.

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So some of the first
writers I fell in love

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with were songwriters.

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Stevie Wonder lyrics, I used
to copy down his lyrics,

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and I got them out the
album and all the lyrics are

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on the liner notes, and she
saw how much I was very much

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so interested in poetry,
which is all hip hop is

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and song lyrics is, you
know, especially from Stevie,

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so she introduced me to Countee
Cullen and Langston Hughes,

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and I just gravitated more
towards his work because it --

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because of the dialogue,
again, going back to dialogue,

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I fell in love with a character
of his named, Jesse B. Simple,

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and this was about
a guy in the 1940s,

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in Harlem, 1950s in Harlem.

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He was always down on his luck.

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He couldn't keep a woman.

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He couldn't pay his rent, and he
was always trying to hustle just

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to make ends meet, and
it was just a dialogue

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that this character had
with the beautiful people

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that lived in Harlem, you know?

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And I was maybe 10, 11 years
old, and just started collecting

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as much of his work
that I possibly could,

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but you asked about
other heroes.

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Again, I'm a big music fan.

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I'm a big jazz fan.

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Being from Kansas
City, you know,

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Charlie Parker is a huge hero.

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There is a big bust of
Charlie Parker on 18th and Vine

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in Kansas City for everybody,
anybody who's never been there.

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18th and Vine is where all the
hep cats used to be like back

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in the '50s, and '60s, you
know, Miles Davis, you know,

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Cab Calloway, they used to
come to 18th and Vine and play

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in all the jazz places, so
now they have a jazz museum

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and a Negro Leagues
Baseball Museum.

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There's a huge, like I want
to say like a 12, 13-foot bust

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of Charlie Parker, and every
time I go home, I sit at a bench

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in front of that bust,
and I talk to the bust.

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I may look crazy.

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It's mostly nighttime when I sit
out and talk to Charlie Parker,

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but I just want to let him
know that I appreciate him

13:57.680 --> 13:59.650 align:start
and I appreciate
all the ancestors,

13:59.650 --> 14:07.170 align:start
all the creative ancestors,
including Langston Hughes,

14:07.170 --> 14:09.910 align:start
including -- who are some
of my favorite writers?

14:09.910 --> 14:12.370 align:start
Derek Walcott, he's
from St. Lucia,

14:12.370 --> 14:16.790 align:start
one of my favorite
poets of all time.

14:16.790 --> 14:21.230 align:start
Who's also my favorite writers?

14:21.230 --> 14:23.920 align:start
Gwendolyn Brooks, they're all
pretty much poets, you know?

14:23.920 --> 14:28.430 align:start
So when I sit and talk to that
bust, I tell him thank you,

14:28.430 --> 14:33.450 align:start
and I am trying to hold it down
and I'm trying to you know,

14:33.450 --> 14:36.590 align:start
take that baton and take
everything that they set

14:36.590 --> 14:41.630 align:start
up for her -- I mean for us,
and take it to the next level,

14:41.630 --> 14:45.040 align:start
and I want Charlie and all
the great jazz musicians --

14:45.040 --> 14:47.150 align:start
I'm a big john Coltrane fan,

14:47.150 --> 14:51.070 align:start
and I feel like I am doing
their work, that I am, you know,

14:51.070 --> 14:55.060 align:start
continuing their great, you
know, legacy that they set

14:55.060 --> 14:57.510 align:start
for not only me, but for
other black artists, you know,

14:57.510 --> 15:03.090 align:start
musicians, other writers,
poets, and playwrights, actors.

15:03.090 --> 15:07.290 align:start
Again, we have a huge
responsibility and we standing

15:07.290 --> 15:11.450 align:start
on some large shoulders and I
appreciate that and I recognize

15:11.450 --> 15:15.320 align:start
that so yeah, those
are some of my heroes.

15:15.320 --> 15:16.620 align:start
>> Monica Valentine: Thank you.

15:16.620 --> 15:17.920 align:start
Okay.

15:17.920 --> 15:19.220 align:start
>> Derrick Barnes: I'm
sorry for the monologue.

15:19.220 --> 15:20.520 align:start
>> Monica Valentine:
That's where you're at.

15:20.520 --> 15:23.000 align:start
So Theresa, first notes
that she likes your t-shirt.

15:23.000 --> 15:26.520 align:start
She says it's cool, but then
also she wants to know --

15:26.520 --> 15:27.820 align:start
>> Derrick Barnes: Thank you.

15:27.820 --> 15:29.120 align:start
>> Monica Valentine: --
how you became interested

15:29.120 --> 15:30.420 align:start
in being a children's writer.

15:30.420 --> 15:32.400 align:start
>> Derrick Barnes: You know,
I kind of fell into it.

15:32.400 --> 15:39.390 align:start
I am a 1999 graduate of
Jackson State University,

15:39.390 --> 15:43.320 align:start
the greatest historically
black college in the land.

15:43.320 --> 15:46.610 align:start
I have a bachelor's
degree in marketing.

15:46.610 --> 15:51.100 align:start
Met my beautiful wife there, met
and we were just like 20, 21,

15:51.100 --> 15:53.990 align:start
and my first paid writing gig,

15:53.990 --> 15:55.930 align:start
I wrote for the Blue
and White Flash.

15:55.930 --> 15:57.670 align:start
I worked -- I wrote
for the newspaper.

15:57.670 --> 16:00.930 align:start
I wrote a advice column
called Brown Sugar,

16:00.930 --> 16:04.690 align:start
and everybody called me
Hershey Brown on campus,

16:04.690 --> 16:10.310 align:start
so that was my first writing
gig, and because of that column,

16:10.310 --> 16:16.250 align:start
which we won the Best HBC
newspaper in my senior year,

16:16.250 --> 16:19.050 align:start
I landed a job at
Hallmark Cards.

16:19.050 --> 16:22.120 align:start
I was the first black man in
the history of Hallmark Cards --

16:22.120 --> 16:25.660 align:start
they're a greeting card giant
-- to be hired as a copywriter,

16:25.660 --> 16:29.210 align:start
a creative copywriter, and that
was a great job, and I mean,

16:29.210 --> 16:30.760 align:start
I felt like I was
in graduate school.

16:30.760 --> 16:33.090 align:start
There was so many
talented painters,

16:33.090 --> 16:35.010 align:start
so many talented writers there.

16:35.010 --> 16:38.790 align:start
I learned a lot about
finding my voice.

16:38.790 --> 16:41.760 align:start
I learned a lot about
the editorial process,

16:41.760 --> 16:44.390 align:start
and that's where the
real magic happens.

16:44.390 --> 16:47.030 align:start
Like I'm finishing up a novel
right now, and I can't wait

16:47.030 --> 16:50.780 align:start
to get to the whole
editorial part because that's

16:50.780 --> 16:52.460 align:start
where things are moved around

16:52.460 --> 16:55.790 align:start
and things are made
more beautiful,

16:55.790 --> 16:59.060 align:start
and while I was there,
I met Gordon James.

16:59.060 --> 17:00.950 align:start
We've been friends
for over 20 years.

17:00.950 --> 17:02.790 align:start
He was a illustrator there.

17:02.790 --> 17:05.740 align:start
He's the illustrator of again,
Crown and I Am Every Good Thing,

17:05.740 --> 17:10.250 align:start
two beautiful books,
and he introduced me

17:10.250 --> 17:12.590 align:start
to his literary agent,
Miss Regina Brooks.

17:12.590 --> 17:17.220 align:start
Love that lady, been
with her since 2003.

17:17.220 --> 17:19.990 align:start
She's been my literary
agent for a long time now,

17:19.990 --> 17:23.370 align:start
and the first project
she brought to me was

17:23.370 --> 17:27.160 align:start
for to early reader books
entitled, Stop, Drop, and Chill

17:27.160 --> 17:28.530 align:start
and The Low-Down Bad-Day Blues.

17:28.530 --> 17:31.490 align:start
Those were my first two
books that came out,

17:31.490 --> 17:37.260 align:start
and they were early reader
books, and every other project

17:37.260 --> 17:39.780 align:start
that he brought to me
after those two books,

17:39.780 --> 17:42.150 align:start
were all children's books.

17:42.150 --> 17:45.360 align:start
You know, before I signed a
deal with her, I saw myself

17:45.360 --> 17:48.380 align:start
as being this great
short story writer,

17:48.380 --> 17:53.390 align:start
somebody that writes these
beautiful, you know, novellas

17:53.390 --> 17:55.980 align:start
but it seemed like every
time we had a child,

17:55.980 --> 17:58.920 align:start
I landed a new book deal
for children's books,

17:58.920 --> 18:01.720 align:start
every single time, so
I was like, you know,

18:01.720 --> 18:03.020 align:start
I might as well stick with this.

18:03.020 --> 18:09.510 align:start
There's a lot of opportunity in
our children's books, and now,

18:09.510 --> 18:12.390 align:start
you know, I realize it is
so important that I stay

18:12.390 --> 18:17.790 align:start
in this genre because, you
know, for many children,

18:17.790 --> 18:22.730 align:start
it's their first introduction
to, you know, literature, and,

18:22.730 --> 18:26.780 align:start
you know, we're responsible for
creating the next, you know,

18:26.780 --> 18:31.980 align:start
generation of book lovers, the
next generation of avid readers,

18:31.980 --> 18:33.280 align:start
and, again, I take

18:33.280 --> 18:37.860 align:start
that responsibility very
serious, so, I love it.

18:37.860 --> 18:40.330 align:start
Even though my children
are getting older,

18:40.330 --> 18:43.560 align:start
I don't really see myself
doing anything else.

18:43.560 --> 18:50.410 align:start
I might want to do
some, you know, audio,

18:50.410 --> 18:54.040 align:start
or some biographical pieces

18:54.040 --> 18:58.560 align:start
on my favorite jazz musicians
one day, but until then,

18:58.560 --> 19:00.750 align:start
I think, until I
finish, you know,

19:00.750 --> 19:03.110 align:start
until I can't write
anymore, I'm always going

19:03.110 --> 19:06.020 align:start
to write children's books, and
just again, highlight the beauty

19:06.020 --> 19:07.950 align:start
and the brilliance
of black children.

19:07.950 --> 19:10.140 align:start
>> Monica Valentine:
That's good to hear.

19:10.140 --> 19:12.610 align:start
We're looking forward
to what comes next.

19:12.610 --> 19:13.910 align:start
>> Derrick Barnes:
Black nerd [inaudible]

19:13.910 --> 19:15.450 align:start
>> Monica Valentine: We have
a question from Stacy --

19:15.450 --> 19:16.750 align:start
>> Derrick Barnes: Yeah.

19:16.750 --> 19:18.250 align:start
>> Monica Valentine: We have a
question from Stacy who wants

19:18.250 --> 19:20.620 align:start
to know, who helped
you as a young writer

19:20.620 --> 19:22.210 align:start
to improve your writing?

19:22.210 --> 19:24.970 align:start
Do you have any advice for
kids who might feel nervous

19:24.970 --> 19:27.540 align:start
about sharing their
writing with other people?

19:27.540 --> 19:28.840 align:start
>> Monica Valentine: Yeah,

19:28.840 --> 19:32.820 align:start
I have so many people
that I can thank.

19:32.820 --> 19:38.570 align:start
You know, my mother just
has a high school education

19:38.570 --> 19:39.980 align:start
but she was my biggest fan.

19:39.980 --> 19:44.220 align:start
She always took me to libraries,
always took me to bookstores.

19:44.220 --> 19:46.990 align:start
She always made sure I
had something to read

19:46.990 --> 19:49.360 align:start
and she recognized
that I enjoy writing.

19:49.360 --> 19:50.660 align:start
I started writing when I was 10,

19:50.660 --> 19:54.440 align:start
so she has always been
a advocate of my work

19:54.440 --> 19:58.070 align:start
and I don't -- she
may not be watching,

19:58.070 --> 19:59.370 align:start
but if she is, I love you, Mom.

19:59.370 --> 20:04.350 align:start
Mrs. Shelby, I think
I talked about her,

20:04.350 --> 20:06.870 align:start
she was my fifth grade teacher.

20:06.870 --> 20:10.510 align:start
She made sure that we, you
know, that we had material

20:10.510 --> 20:12.640 align:start
and there was once upon a
time -- I mean, you know,

20:12.640 --> 20:15.300 align:start
things have come a long
way in this industry.

20:15.300 --> 20:18.130 align:start
There was a time when
there weren't any books

20:18.130 --> 20:21.930 align:start
that featured black children,
if they weren't, you know,

20:21.930 --> 20:25.020 align:start
athletes, you know,
runaway slaves

20:25.020 --> 20:26.320 align:start
in the civil rights movement,

20:26.320 --> 20:29.210 align:start
but just children being
children, but she gave us

20:29.210 --> 20:32.410 align:start
as many classic books
as she possibly could.

20:32.410 --> 20:36.860 align:start
Some of them were adult poetry
books, where she made sure that,

20:36.860 --> 20:40.650 align:start
you know, we had material and I
think that sparked my love for,

20:40.650 --> 20:46.920 align:start
you know, the written word, but
my favorite teacher of all time,

20:46.920 --> 20:48.510 align:start
and this -- Mrs. Mary Rogers.

20:48.510 --> 20:51.600 align:start
She was my freshman
high school teacher,

20:51.600 --> 20:53.420 align:start
and she was my English teacher,

20:53.420 --> 20:57.360 align:start
and she was also my
creative writing teacher

20:57.360 --> 21:00.690 align:start
when I was a senior, and
I was 14 at the time,

21:00.690 --> 21:03.710 align:start
and I was not ashamed to
tell people that I was --

21:03.710 --> 21:06.610 align:start
that I wrote poetry because
I also wrote hip hop.

21:06.610 --> 21:09.560 align:start
I was trying to be a hip hop
artist at the time, but I --

21:09.560 --> 21:12.720 align:start
that was something that I did
well, so I felt very confident

21:12.720 --> 21:15.940 align:start
that I did something that I
knew my peers couldn't do,

21:15.940 --> 21:18.590 align:start
but Miss Rogers, it
didn't matter what I wrote,

21:18.590 --> 21:21.620 align:start
or what I turned in, it
was all Pulitzer-worthy,

21:21.620 --> 21:24.680 align:start
and she thought everything
I wrote was amazing,

21:24.680 --> 21:29.420 align:start
and obviously, I'm pretty sure
it was not, but to get that love

21:29.420 --> 21:33.920 align:start
from her, to get
that encouragement,

21:33.920 --> 21:37.010 align:start
it's just really spurned
me on to really grow

21:37.010 --> 21:41.310 align:start
and to be a better writer,
and I am Facebook friends

21:41.310 --> 21:45.100 align:start
with her now, and I thank her
every single chance that I get.

21:45.100 --> 21:49.620 align:start
I think it's so important
for educators, parents,

21:49.620 --> 21:53.550 align:start
adults period, to, you know,
really support young people

21:53.550 --> 21:56.980 align:start
who have an interest, and not
just writing, but just anything,

21:56.980 --> 22:00.700 align:start
you know, productive, anything
positive, anything creative.

22:00.700 --> 22:04.620 align:start
Yeah, that little bit of
encouragement, you know,

22:04.620 --> 22:10.750 align:start
can go a long way, can really
launch an amazing career,

22:10.750 --> 22:12.050 align:start
you know?

22:12.050 --> 22:15.650 align:start
It's been a long road
for me, but, you know,

22:15.650 --> 22:18.490 align:start
there wasn't a day that I
didn't think about, you know,

22:18.490 --> 22:22.420 align:start
Mary Rogers, or I didn't think
about my mom and the sacrifices,

22:22.420 --> 22:25.270 align:start
you know, that she made,
and, you know, Mrs. Shelby,

22:25.270 --> 22:29.010 align:start
all the people who've
always encouraged me.

22:29.010 --> 22:32.900 align:start
So, yeah, if I just shout
out to all the educators

22:32.900 --> 22:35.380 align:start
that may be watching
right now, I love you all.

22:35.380 --> 22:39.260 align:start
I know, this past 19 months
has not been easy on you all,

22:39.260 --> 22:41.390 align:start
and you've -- you're
doing a great job,

22:41.390 --> 22:44.840 align:start
whether it be virtually
or you be in-person,

22:44.840 --> 22:47.060 align:start
and you just keep
educating the babies

22:47.060 --> 22:49.370 align:start
and keep encouraging them,
because you just never know

22:49.370 --> 22:52.560 align:start
who these kids may turn
out to be, you know?

22:52.560 --> 22:54.960 align:start
I'm sure Miss Rogers
knew I would grow

22:54.960 --> 22:58.080 align:start
up to be a award-winning
children's book author.

22:58.080 --> 23:00.460 align:start
I couldn't see it at
the time, but she did,

23:00.460 --> 23:03.390 align:start
and maybe she didn't but just
her being positive is one

23:03.390 --> 23:07.760 align:start
of the reasons I'm here today.

23:07.760 --> 23:09.060 align:start
So, love you Miss Rogers.

23:09.060 --> 23:10.360 align:start
>> Monica Valentine:
I love your answer,

23:10.360 --> 23:11.660 align:start
because it is amazing what one

23:11.660 --> 23:15.090 align:start
or two interested adults
can do for a kid's life.

23:15.090 --> 23:16.500 align:start
Thank you for that.

23:16.500 --> 23:21.220 align:start
So let's come back to today,
and let's talk about --

23:21.220 --> 23:23.920 align:start
talk to your young audience
who might be curious

23:23.920 --> 23:25.690 align:start
about what your writing
process is like.

23:25.690 --> 23:28.320 align:start
Can you tell us what
a day in the life

23:28.320 --> 23:31.950 align:start
of Derrick Barnes
as a writer is like?

23:31.950 --> 23:35.390 align:start
>> Derrick Barnes: I am not a
very organized person, you know,

23:35.390 --> 23:40.080 align:start
and in my mind, I think about
how I want my day to play out,

23:40.080 --> 23:41.380 align:start
so I might even write it down,

23:41.380 --> 23:43.700 align:start
but it almost never
goes that way.

23:43.700 --> 23:49.240 align:start
I try to drop Nnamdi off, my
10 year old off at school,

23:49.240 --> 23:53.730 align:start
and I say I'm going to come back
and work out for about an hour,

23:53.730 --> 23:58.380 align:start
but if I'm working on something,
it's really hard for me to kind

23:58.380 --> 24:01.710 align:start
of focus on working out when I'm
thinking about the next chapter,

24:01.710 --> 24:05.270 align:start
or the next scene in a book,
so after I drop Nnamdi off,

24:05.270 --> 24:08.940 align:start
I usually go and get my favorite
drink if I don't have it,

24:08.940 --> 24:11.570 align:start
which is I try to drink
as much water as I can,

24:11.570 --> 24:13.100 align:start
but I also drink
Diet Mountain Dew,

24:13.100 --> 24:16.220 align:start
and that's my caffeine
of choice.

24:16.220 --> 24:19.690 align:start
I come back in my office,
in my beautiful office,

24:19.690 --> 24:22.460 align:start
and I'm so grateful for
this space, you know,

24:22.460 --> 24:27.500 align:start
that I have to write in,
and I write from maybe nine

24:27.500 --> 24:32.190 align:start
to one o'clock, and then I'll
stop and I'll get some lunch

24:32.190 --> 24:36.360 align:start
and I work again until it's time
to go get him, and he's going

24:36.360 --> 24:39.230 align:start
to start riding the bus soon, so
I don't have to stop and start

24:39.230 --> 24:44.550 align:start
but I try to write maybe
8 to 12 hours a day

24:44.550 --> 24:48.360 align:start
if I'm actually working
on something.

24:48.360 --> 24:51.390 align:start
And just having my own space
to write in now and sometimes

24:51.390 --> 24:54.190 align:start
like especially during last
year when everyone was at home

24:54.190 --> 24:56.230 align:start
and they were learning
virtually, it was kind of tough,

24:56.230 --> 24:57.590 align:start
not that they were loud.

24:57.590 --> 25:02.060 align:start
Having four, five other people
in the house is, you know,

25:02.060 --> 25:05.440 align:start
very distracting, and
so sometimes I will go

25:05.440 --> 25:09.370 align:start
to a hotel that's around
the corner and I stay there

25:09.370 --> 25:11.490 align:start
for three days when I'm
actually working with something,

25:11.490 --> 25:14.350 align:start
especially but I just
need to clear my head

25:14.350 --> 25:16.590 align:start
and I have deadlines to turn in,

25:16.590 --> 25:18.860 align:start
I will go somewhere
for like three days.

25:18.860 --> 25:20.380 align:start
There's a pond too
far from here.

25:20.380 --> 25:23.690 align:start
Sometimes I type in my van.

25:23.690 --> 25:24.990 align:start
I type in the car.

25:24.990 --> 25:27.060 align:start
I sit in the backseat
and work on something.

25:27.060 --> 25:31.290 align:start
I sit on benches outside, but
this is my favorite space,

25:31.290 --> 25:37.610 align:start
you know, is in my office and I
try to type 8 to 12 hours a day.

25:37.610 --> 25:39.170 align:start
>> Monica Valentine: Wow.

25:39.170 --> 25:43.070 align:start
Okay. Well, we have another
question from Theresa,

25:43.070 --> 25:48.560 align:start
who asks what role have
libraries played in your life?

25:48.560 --> 25:49.860 align:start
>> Derrick Barnes: Man.

25:49.860 --> 25:53.540 align:start
They play different roles

25:53.540 --> 25:55.830 align:start
in different stages
of my life, you know?

25:55.830 --> 25:58.380 align:start
My mother used to take
me to the library.

25:58.380 --> 26:01.580 align:start
She's used to pull me in this
Radio Flyer, this red wagon.

26:01.580 --> 26:03.000 align:start
I was like four or
five years old,

26:03.000 --> 26:05.550 align:start
and taken to the library
on Saturday mornings.

26:05.550 --> 26:07.930 align:start
That's one of the only days that
she was off during the week.

26:07.930 --> 26:09.970 align:start
My mother worked
two jobs sometimes.

26:09.970 --> 26:15.930 align:start
She was a LPN, so she worked in
nursing homes, but on Saturdays,

26:15.930 --> 26:19.130 align:start
she would take me to the
library, and we'd fill

26:19.130 --> 26:23.100 align:start
up that library -- and
we'd fill up that wagon

26:23.100 --> 26:25.920 align:start
and bring those books home,
and I would sit in my closet

26:25.920 --> 26:29.640 align:start
with a flashlight tied to a
shoestring and sitting there

26:29.640 --> 26:31.640 align:start
with pillows, you
know, and read.

26:31.640 --> 26:39.120 align:start
To be able to be around so much,
you know, to be in, you know,

26:39.120 --> 26:41.320 align:start
close proximity, to be
able to run your hand

26:41.320 --> 26:44.160 align:start
across all these
different binds,

26:44.160 --> 26:46.250 align:start
all these different
characters and stories,

26:46.250 --> 26:49.400 align:start
and these books took me
to a different place.

26:49.400 --> 26:53.090 align:start
You know, we grew up -- I
grew up poor, grew up, again,

26:53.090 --> 26:56.900 align:start
in a single-parent household,
me and my brother Anthony,

26:56.900 --> 27:02.230 align:start
so books helped me to just
escape my neighborhood,

27:02.230 --> 27:04.250 align:start
which was a beautiful
neighborhood,

27:04.250 --> 27:06.060 align:start
but I grew up in a very
small house, very --

27:06.060 --> 27:08.450 align:start
a small two-bedroom house.

27:08.450 --> 27:12.780 align:start
There was a lot of violence,
you know, in my neighborhood,

27:12.780 --> 27:15.240 align:start
but it wasn't shocking
when it did happen.

27:15.240 --> 27:16.540 align:start
You know what I mean?

27:16.540 --> 27:20.300 align:start
So not really having a lot of
money to travel, you know, go,

27:20.300 --> 27:23.130 align:start
you know, summer vacations,
rode a lot of Greyhound buses

27:23.130 --> 27:25.310 align:start
down to Mississippi
and Tennessee

27:25.310 --> 27:29.600 align:start
and see my family members, so
books was a way for me to travel

27:29.600 --> 27:36.250 align:start
across the Atlantic, across
the Pacific, to go back into,

27:36.250 --> 27:40.370 align:start
you know, time machine, so to
be able to sit in a library

27:40.370 --> 27:44.000 align:start
and live these different
lives was, you know,

27:44.000 --> 27:48.940 align:start
an amazing influence on me,
and when I became a adult,

27:48.940 --> 27:52.170 align:start
I think after like my
sixth book, after Ruby

27:52.170 --> 27:54.490 align:start
and the Booker Boys came out,

27:54.490 --> 27:58.400 align:start
I worked at the Kansas
City Public Library

27:58.400 --> 28:01.370 align:start
in the outreach department.

28:01.370 --> 28:03.140 align:start
I really thought
my career was over.

28:03.140 --> 28:05.870 align:start
I couldn't land a book
deal to save my life.

28:05.870 --> 28:08.310 align:start
I think this was around 2011.

28:08.310 --> 28:12.170 align:start
This was after We Could Be
Brothers came out, and I did --

28:12.170 --> 28:13.830 align:start
I've had so many
odd jobs, you all.

28:13.830 --> 28:15.510 align:start
You all can't imagine.

28:15.510 --> 28:18.530 align:start
If you name it and it's
legal, I probably did it.

28:18.530 --> 28:20.460 align:start
You know, I'm talking about
during the course of me trying

28:20.460 --> 28:23.750 align:start
to become a successful
children's book author and man,

28:23.750 --> 28:26.060 align:start
and one of my favorite
jobs working was working

28:26.060 --> 28:27.660 align:start
for the Kansas City
Public Library.

28:27.660 --> 28:31.510 align:start
I did outreach, and I read all
across the city of Kansas City.

28:31.510 --> 28:34.970 align:start
We went to, you know,
juvenile detention centers,

28:34.970 --> 28:37.220 align:start
and I did creative
writing exercises for them.

28:37.220 --> 28:39.960 align:start
I met some very brilliant
young men,

28:39.960 --> 28:43.080 align:start
you know, inside those walls.

28:43.080 --> 28:44.510 align:start
I went to daycare centers.

28:44.510 --> 28:49.460 align:start
We went to kindergarten
classes, went to high schools,

28:49.460 --> 28:51.730 align:start
and I learned a lot
about myself.

28:51.730 --> 28:54.040 align:start
I learned a lot about humility.

28:54.040 --> 28:56.900 align:start
I learned a lot about my
audience, my future audience,

28:56.900 --> 28:59.740 align:start
people that were really
going to buy my books,

28:59.740 --> 29:01.810 align:start
and it really helped
me to kind of key

29:01.810 --> 29:06.080 align:start
in on my primary audience,
going around and doing these.

29:06.080 --> 29:07.900 align:start
We just did storytime.

29:07.900 --> 29:10.850 align:start
I did readings, you know?

29:10.850 --> 29:12.880 align:start
And I'm so grateful
for that period.

29:12.880 --> 29:15.780 align:start
You know, most times you go
through these phases and go

29:15.780 --> 29:19.140 align:start
through these periods in your
life, it doesn't feel good,

29:19.140 --> 29:21.710 align:start
but afterwards, you look
at it, and you look at it

29:21.710 --> 29:25.020 align:start
and realize how grateful
you are, or you were to go

29:25.020 --> 29:27.100 align:start
through that period,
so I'm so grateful

29:27.100 --> 29:28.930 align:start
for all the little
jobs that I had.

29:28.930 --> 29:32.190 align:start
They really helped me to
become the person I am today

29:32.190 --> 29:35.120 align:start
and working for the Kansas
City Public Library was --

29:35.120 --> 29:38.270 align:start
I saw the library from a
different angle from when I did

29:38.270 --> 29:41.700 align:start
when I was a child, but it was
one of the most pivotal moments

29:41.700 --> 29:44.690 align:start
in my, you know,
maturation as a man

29:44.690 --> 29:49.140 align:start
and as a children's book author.

29:49.140 --> 29:50.760 align:start
>> Monica Valentine: Wow, that's
cool that you have that kind

29:50.760 --> 29:52.970 align:start
of history and connection
to libraries,

29:52.970 --> 29:56.890 align:start
and that you can see how it's
influenced your writing today.

29:56.890 --> 29:58.190 align:start
>> Derrick Barnes: Yeah.

29:58.190 --> 29:59.490 align:start
>> Monica Valentine:
Well, unfortunately,

29:59.490 --> 30:00.790 align:start
that's all the questions
we have time for.

30:00.790 --> 30:02.740 align:start
You have been listening to
author Derrick Barnes talk

30:02.740 --> 30:04.800 align:start
about his book I Am
Every Good Thing.

30:04.800 --> 30:08.970 align:start
Thank you again, Derrick, for
joining us at the 2021 Library

30:08.970 --> 30:10.600 align:start
of Congress National
Book Festival.

30:10.600 --> 30:14.230 align:start
It's been a pleasure, and once
again, thanks to our audience,

30:14.230 --> 30:17.160 align:start
please continue to
enjoy the festival.

30:17.160 --> 30:18.460 align:start
>> Derrick Barnes: Thank you.

30:18.460 --> 30:19.760 align:start
Take care, you all.
